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As part of the pact, Hyakkimaru was born without limbs or skin, and to gain them, he must hunt down the demons to which his father is indebted. The show is just as dark as Jujutsu Kaisen often is and has the same penchant for philosophical monologues. Each of these monologues is usually punctuated with a breathtaking fight scene thanks to MAPPA’s absolutely gorgeous animation, which makes it a perfect way to pass the time while you wait for Jujutsu Kaisen season 2. —Austen Goslin The God of High School Image: MAPPA Where to watch: Max and Crunchyroll One thing that nearly every person who has watched Jujutsu Kaisen can agree on is this: the fight scenes absolutely slap. While of course this is to be expected of any noteworthy shōnen action series, the action in Jujutsu Kaisen has been especially impressive, particularly Gojou Satori’s brief but explosive bout with a Sekuna-possessed Yuuji in the series’ second episode or Yuuji and Aoi’s tag-team onslaught against the cursed spirit Hanami in episode 19. You can thank Keiichiro Watanabe for both of those stand-out sequences, a key animator whose work on anime such as Naruto, Dororo, and now Jujutsu Kaisen has earned him effusive respect and notoriety among anime enthusiasts. The God of High School, the Crunchyroll-produced anime adaptation of mahwa (Korean for “comic”) author Yongje Park’s ongoing Webtoon series of the same name, features Watanabe’s work prominently. As mentioned in our review of the series last year, The fights are gorgeous. Like Demon Slayer, the series finds a new way to make action visually striking. Where Demon Slayer gave its protagonists’ swordwork an ukiyo-e-esque quality, with exaggeratedly drawn water following each movement of his blade, The God of High School goes all-in on brush strokes. The characters look incredibly polished, but their movements as they get into the thick of fights are followed by bold, thick brush strokes, and particularly intense moments.
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