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[6][8] The weekly production process for Black Clover involved Tabata consulting with Katayama for the first few days on the thumbnails of the chapter then spending the remaining days composing the actual art. [6][8] Tabata credited himself for coming up with a rough outline and ending for the chapter while Katayama aided him in filling in its content and making corrections. [6] Early in the series the artist claimed to only sleep an average of three hours per night due to stress, but after the anime adaptation of Black Clover began airing he was able to increase this to six hours per night. [6][8] As of at least the seventh volume of Black Clover, he did not utilize digital tools in his drafting, opting for traditional "analog" inking and toning by hand. [9] Tabata stayed motivated during the manga's long run due to his readers looking forward to each week's chapter. [10] Despite the fast pace of most chapters, the author expressed a desire to occasionally create slower yet still satisfying stories. [6] The dark fantasy seinen series Berserk by Kentaro Miura was a heavy influence on Tabata. He wanted to craft a shōnen equivalent of Berserk while also taking inspiration from other fantasy properties such as Dragon Quest: The Adventure of Dai, The Lord of the Rings, Harry Potter, and the films of Guillermo del Toro. [7] Tabata professed to not be a big fan of fantasy role-playing video games like Dragon Quest or Final Fantasy and used the few fantasy movies he did watch as reference material. [6] To give Black Clover's world a European look, Tabata researched photograph books for sets and locations and documented various weapons, clothing, and buildings. [7] Tabata stated he enjoyed both writing the manga's script and illustrating its battle scenes, particularly in magnifying his characters' movements and making the action more dynamic.
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