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03. In that commercial, titled the "Humbler"(an advertising tagline Pontiac used in print ads to describe all 1970 GTOs), which was broadcast only that one time, a young man pulled up in a new GTO to a drive-in restaurant with dramatic music and exhaust noise in the background, pulling the "exhaust" knob to activate the VOE and then left the drive-in after failing to find a street racing opponent. That particular commercial was also canceled by order of GM management. [19][20] Approximately 233 1970 GTOs were factory built with this option including 212 hardtop coupes and 21 convertibles, equipped with either four-speed manual or Turbo Hydra-Matic transmissions. While allegedly all were equipped with the standard GTO "YS" 400ci 350 hp V8 engine, according to the 1970 Pontiac Accessorizer book, VOE was available with the 455 V8. The Accessorizer book does say that VOE was not available with either 400 cubic inch engines with Ram Air, though it does not specify whether it was unavailable with the 455 when equipped with the optional Ram Air induction components.

"Chainsaw Man Ranks #1 on U. S. Monthly Bookscan June List". Anime News Network. Archived from the original on August 3, 2022. Retrieved July 12, 2022.

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^ "Tomo-chan is a Girl! Vol. 5". Seven Seas Entertainment. Retrieved September 5, 2021. ^ トモちゃんは女の子!(6) (in Japanese). Kodansha. Archived from the original on January 8, 2004. Retrieved September 24, 2021. ^ "Akira Vol. 2 TPB". Dark Horse Comics. [e][15][16] After joining the project, both Nakamura and Umehara had to adjust their views of the main character, and were forced to rewrite scenes where they had made Subaru appear "cool. " At Watanabe's direction, Nakamura was made to rewrite Subaru's telling of The Red Ogre Who Cried in episode 6 multiple times. [12] The staff also had difficulty deciding on a song to use for Subaru's ringtone that plays during the closing scene of episode 19, considering songs like "Kanpaku Sengen," "The Beard Song," and "M" by Princess Princess, before settling on "Yoake no Michi" from Dog of Flanders. [12] Soundtrack[edit] While choosing a composer to produce the series' music, director Watanabe wanted to choose someone who had "hit a nerve" with him. A fan of drama series, Watanabe was struck by a piece of music in the medical drama Death's Organ, and found that the series' composer, Kenichiro Suehiro, had also worked on a number of his favorite anime and drama series. [17] After Suehiro was attached to the production, Watanabe gave him three major guidelines: use human voices during the Return by Death sequences; compose the music like he would for a drama or a movie to capture the emotional scenes; and "pull all the stops" for the suspenseful scenes. [17] Additionally, for the first cour, Watanabe asked for music with a "suspenseful" vibe, while requesting music with a "romantic" feel for the second cour. [17] Both Watanabe and Suehiro are fans of Italian composer Ennio Morricone, and Suehiro tried to take inspiration from his works while composing the soundtrack. [17] Watanabe also requested that there be songs that mimicked Hans Zimmer's score from The Dark Knight. [17] While Suehiro used music that wasn't very "anime-ish" during most of the series, he was asked to use more traditional anime music during the slice of life scenes. [17] A number of times during the series, such as in episodes 7 and 15, Watanabe made it a point to use an entire song, something which is unusual in most anime.