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It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner.
org Japanese Dictionary with Hiragana, Katakana and Kanji virtual keyboards Japanese Honorifics - How to use San, Sama, Kun and Chan How to use Otsukaresama Learn Japanese - Grammar and Vocabulary vteHonorifics Burmese Canadian Chinese Hokkien English Filipino French German Indian Tamil Indonesian Italian Japanese Korean Sinhala Slavic Russian Thai vteJapanese languageEarlier forms Old Early Middle Late Middle Early Modern DialectsEastern Hokkaidō Tōhoku Northern Nanbu Tsugaru Akita Southern Kesen Nairiku Kantō Western Gunma Kanagawa Tokyo Eastern Ibaraki Tochigi Northern Izu Islands Tōkai–Tōsan Nagano-Yamanashi-Shizuoka Shizuoka Narada Echigo Nagaoka Gifu-Aichi Nagoya Mikawa Mino Hida Western Hokuriku Kaga Kanazawa Shiramine Kansai Awaji Banshū Kishū Okuyoshino Shikoku Iyo Tosa Sanuki Chūgoku San'yō Bingo East San'in Inshū Umpaku Kyūshū Hōnichi Ōita Hichiku Chikuzen Hakata Kumamoto Nagasaki Saga Tsushima Satsugū Other Amami Japanese Okinawan Japanese Pidgins and creoles Bamboo English Bonin English Hawaiian Creole Kyowa-go Pseudo-Chinese Yilan Creole Japanese Yokohama Pidgin Japanese Japonic languages Eastern Old Japanese Hachijō grammar Ryukyuan Northern Amami Ōshima Southern Amami Ōshima Kikai Kunigami Okinawan Okinoerabu Tokunoshima Yoron Southern Miyako Tarama Yaeyama Yonaguni Writing systemLogograms Script reform Kanbun Kanji by stroke count Kanji radicals by frequency by stroke count Kokuji Ryakuji Ateji Kana Hiragana Katakana Furigana Okurigana Gojūon Man'yōgana Hentaigana Sōgana Kana ligature Orthography Braille Kanji Punctuation Kanazukai Historical kana Modern kana Jōdai Tokushu Kanazukai Yotsugana Transcription into Japanese Encoding EUC EUC-JP ISO/IEC 2022 JIS 0201 0208 0211 0212 0213 Shift JIS Unicode Hiragana Kana Extended-A Kana Extended-B Kana Supplement Small Kana Extension Katakana Katakana Phonetic Extensions Other ARIB STD B24 Enclosed EIS Extended shinjitai Half/Full Grammar and
vocabulary Japanese grammar Verb conjugations Godan and ichidan verbs Irregular verbs Pronouns Adjectives Possessives Particles Topic marker Counter words Numerals Native words (yamato kotoba) Sino-Japanese vocabulary Loan words (gairaigo) from Dutch from Portuguese Wasei-eigo Wasei-kango Engrish Honorific speech Honorifics Court lady language (nyōbō kotoba) Role language (yakuwarigo) Gender differences Dictionaries Phonology Pitch accent Rendaku Sound symbolism Kanji pronunciation sources Go-on Kan-on Tō-on Transliteration Romanization Hepburn Nihon-shiki Kunrei JSL Wāpuro rōmaji In Esperanto Cyrillization Polivanov system Literature Books Poetry Writers Speculative fiction writers Classical Japanese texts Authority control databases: National Israel United States Retrieved from "https://en. wikipedia. org/w/index. php?title=Japanese_honorifics&oldid=1209546198" Category: Japanese honorificsHidden categories: Articles with short descriptionShort description is different from WikidataUse dmy dates from January 2017Articles lacking in-text citations from December 2014All articles lacking in-text citationsArticles containing Japanese-language textAll articles with unsourced statementsArticles with unsourced statements from March 2007Commons category link is on WikidataArticles with J9U identifiersArticles with LCCN identifiers This page was last edited on 22 February 2024, at 12:14 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License 4. 0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. , a non-profit organization. Privacy policy About Wikipedia Disclaimers Contact Wikipedia Code of Conduct Developers Statistics Cookie statement Mobile view Toggle limited content width Crunchyroll logoCrunchyroll logoMenuDropdown menuLoaderUpdate your web browser!Oh no! It looks like youâre using a web browser we donât support! Please consider updating your internet browser to unlock thousands of anime titles!Get ChromeGet FirefoxGet SafariGet Edge Jigokuraku (Hell's Paradise) - MyAnimeList. net MyAnimeList.