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[67] Nisio's, titled JoJo's Bizarre Adventure Over Heaven, was released on December 16, 2011, and based on Part 3. [68] Maijō's novel, Jorge Joestar, was released on September 19, 2012. [69] It features characters from and inspired by nearly every part of the series. Art books Araki has released several books containing original artwork he has produced for JoJo's Bizarre Adventure. JoJo6251 was released on December 10, 1993, and features artwork, story details, and behind the scenes information for Parts 1 through 4. It was followed by JoJo A-Go! Go! on February 25, 2000, which features original artwork focusing on Parts 3 to 5.

It's at this moment that the man of Suzume’s literal dreams shows up in time for the magic door to suddenly burst open as a terrifying dark force that barges its way into Suzume’s realm. All this takes place before we’ve hit the 30-minute mark of this two-hour saga, mind you. Photo: ©2022SNTFP After his unsuccessful attempt to close the portal of doom and shut away the sinister force, the stranger introduces himself to Suzume as Sota (voiced by Hokuto Matsumura) and explains that he’s on a mission to locate more doors like the one they just encountered and lock them all up. Before Sota can set out to continue on his quest, however, the spirit stone-turned-kitten from earlier reappears at Suzume’s bedroom window and turns Sota into a child-sized chair. Knowing that Sota would struggle to survive his mission as a small chair, Suzume resolves to accompany him on his journey and help him return to his human form. What follows is a wild-goose chase across Japan, where Suzume and Chair Sota bounce from Miyazaki to Shikoku to Shin-Kobe, locking up magical doors as they go.

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In addition, she was happy with the way things turned out in the end, while realistically she wouldn't be (staying vague because of spoilers).
Roy Mustang was pretty much reduced to a womanizing jerk. His personality isn't very well established to begin with, and then there was that whole thing with Hughes. Nothing ever came out of that. No exciting (and slightly scary) confrontation. He just forgets about it and moves on.
The homunculi weren't too bad, I guess. Their personalities weren't butchered from what I remember. I just think they gave too much screentime to Lust, Envy, and Wrath; and not enough to the others. Wrath in particular was just an annoying brat that I wanted to rip apart and scream NO ONE CARES at. The explanation of how homunculi come to be in 03 is more scientifically probable, but if the anime had kept following the manga, it would have totally ruined the idea that is stated over and over in the manga: human transmutation is impossible. Yuujirou crushing Baki. When the day of his fight with his son comes, Yuujirou is attacked by Gaia, who wants to test his skills. Gaia, of course, loses the fight, even though both fighters have long been considered by people as equals. Later, Yuujirou arrives by helicopter at the duel scene, where Baki and many of his friends are waiting. The first of the helicopters gets off the humiliated Gaia, who kneels down by Yuujirou. The Ogre is also accompanied by Emi Akezawa, Hitoshi Kuriyagawa and an old soldier known as Sir. The big match starts with an unexpected earthquake. Yuujirou stops it by hitting the ground. Everyone is surprised by the great power of Yuujirou. Baki tries not to worry about this unusual show of strength and attacks his father. Baki does his best during a fight, but is unable to give any serious damage to his father.
^ Credited as "????" in Episode 11. Season 2 producer social media controversy[edit] After the end of the second season, TV Tokyo released an apology statement[81][82] in regards to a staff member's behavior on social media and their behavior towards viewers. This apology was thought to be about the season 2 producer, Nobuyuki Hosoya,[83] and later confirmed to be about him by TV Tokyo's Yukio Kawasaki. Hosoya had been accused of making taunting and agitating comments towards critics of Kemono Friends 2 on Twitter and making fun of their comments. Hosoya admitted to his actions being inappropriate. [84] Hosoya was later transferred completely away from anime related work by TV Tokyo, and ultimately leaving TV Tokyo completely, with his name disappearing from all anime he was involved in.