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When noticing Sasuke's hawk flying into the village, he sneaked into the Hokage's office building and discovered Sasuke was heading to the Land of Wind. Seeing this as an opportunity to meet up with him, Boruto lied to his family about being assigned a training mission before sneaking onto a train to the Land of Wind. There, he discovered Sasuke and Gaara fighting Urashiki, during which Sasuke transported to another dimension. Being prevented to engage Urashiki by Gaara, the Kazekage managed to temporally seal the Ōtsutsuki who was targeting Shukaku for its chakra. Shukaku seals itself in a tea kettle in order to not be sensed, leading to Gaara entrusting Boruto alongside with Shinki and Kankurō with escorting the tailed beast to Konoha. Along the way, the three were intercepted by Urashiki's puppets, leading to Kankurō facing the threat alone while Boruto and Shinki went on ahead. Noticing an explosion where Kankurō was, Shinki insisted to head-on, while Boruto refused to leave Kankurō when he needed them most. Returning to the scene alone, he encountered Temari and Shikadai. They found evidence of a hole being dug as a means to escape the explosion, prompting the Konoha-nin to catch up with Shinki. When they did, they discovered he was facing a damaged puppet. While Temari and Shikadai held off the puppet, Boruto helped Shinki and Shukaku get to safety before returning to defeat the puppet.

20 €Pika06/03/2024 Goddesses Cafe Terrace Vol. 57. 20 €Pika06/03/2024 Helck Vol. 27. 95 €Doki-Doki06/03/2024 I'm standing on a million lives Vol. 147.

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Even now, the only fucking characters I can name off the top my head are Milizé, Shin, Raiden, Anju, Laughing Fox, and Gunslinger; notice how the last 2 aren’t even their real names but their military nicknames? Hell I don’t even know the name of the science chick, and that’s kinda sad.
Now, I get that the people I did manage to recall are basically the main cast, but why bother dumping all those expendable characters in the beginning then? I don’t even feel emotional or anything watching these expendables getting killed on and off-screen, because I literally don’t know their names: I haven’t been able to establish a connection with them. And that to me is very cheap writing and character design.
Speaking of cheap character design, practically all the expendables had plain character designs like mob characters, which made it even harder to tell them apart from each other. I guess that makes sense since they were literally designed to be killed for “emotional impact” or something like that. However, the main cast is also way too similarly designed. It’s pretty much just slight facial feature differences and hair style/color changes that you have to go off of. Like literally look at the MAL photos for Theoto and Daiya, and tell me the 2 don’t like 80-90% the same, smh.
On the other hand, I think the character design for Milizé is not bad. I like that Milizé had some wake-up calls that made her realise her virtue signaling was batshit useful. However, her angsty teen romance felt very forced and random: what reason does she have to suddenly fall for a dude who’s voice she can only hear, and who, relatively speaking, she’s barely interacted with over the course of her life. [11] He contiguously developed the names of the main characters by skimming through a dictionary and taking out kanji characters he found appealing. "Yusuke Urameshi" is a pun, "Kazuma Kuwabara" is a combination of two professional baseball players, and "Hiei" and "Kurama" are "just names that popped into [Togashi's] head. "[8] When he introduced the latter two characters in volume three, the author had early plans to make Kurama a main character but was not certain about Hiei. [7][8] The manga's shift from occult detective fiction to the martial arts genre after Yusuke's death and revival in the early chapters was planned by Togashi from the beginning. [8] He took this idea from the series Kinnikuman, which began largely as a comedy before concentrating more on action. [7] Togashi's intention was to establish the main characters and familiarize the reader with them before placing them in tense, physical conflicts. His editor at the time was nervous of him beginning the manga this way and recommended he transition to a battle-focused plot after about 30 chapters. [7] YuYu Hakusho borrows many elements from Asian folklore, particularly Buddhist beliefs in the afterlife. [2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. He thought of them as places that one could not easily travel between using modern technology, but rather as a spirit lacking a material body. [8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui.