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^ Ramachandran, Naman (December 20, 2023). "All of Us Strangers, Oppenheimer Lead London Critics' Circle Awards Nominations". Variety. Archived from the original on December 20, 2023. Retrieved December 20, 2023. ^ 毎日映画コンクール 石川慶監督の「ある男」が最多の9部門でノミネート. Sports Nippon (in Japanese). December 21, 2022. Archived from the original on December 21, 2022. Retrieved December 21, 2022. ^ 「第77回毎日映画コンクール」『ケイコ 目を澄ませて』最多5冠 沢田研二、岸井ゆきのら受賞.

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Animax Asia. Archived from the original on 22 December 2015. ^ "New Danganronpa 3 -The End of Kibōgamine Gakuen- Anime Green-Lit". Anime News Network. Archived from the original on 2 December 2015. Retrieved 6 December 2015. ^ "Danganronpa Writer Says 2's Characters' Stories Ended With Game". Anime News Network. 25 March 2016. Archived from the original on 9 April 2016. Retrieved 24 May 2016. Archived from the original on July 8, 2022. Retrieved March 9, 2020. March 2020: Hodgkins, Crystalyn (April 10, 2020). "Demon Slayer: Kimetsu no Yaiba Ranks #2 on U. S. Monthly Bookscan March List".
She added that the political environment drives many of the decisions, and propels the actions of characters in their journey, highlighting that "If we go deeper and deeper, it all boils down to politics. The pain that comes from politics, the price we have to pay for pain, they are the message that penetrates the series. "[41] Eun-hee further spoke about the importance of blending those genres and particularly focusing on the examination of the political elements covered in the series, citing that "politics and the living dead are not separate, but they rather come together as one. "[42] Adding to that, Eun-hee commented about the nature of politics, and its role in shaping the world of Kingdom. The series’ portrayal of political dynamics of corruption and power highlights the disparity of growing concerns against the bourgeoise, suffering in the midst of a plague. Speaking on the conceptualization of the plague, the creator argued its role in the narrative is to serve as a reflection of the corruption, greed, inequity and injustice committed by the ruling class, using it as a camouflage to usurp the political power to maintain influence in the Kingdom of Joseon. [43] Eun-hee stated in an interview that she wanted to depict several themes through the use of various narrative devices in the series. She later explained that the theme of the first season was "to tell a story about hunger. " Eun-hee further added that she wanted to "portray people who were mistreated by those in power struggling with starvation and poverty through the monsters". [44] Shifting to the second season, the theme of blood was explored to "tell a story about monsters who crave blood and humans who desire a particular bloodline and lineage. "[45] Later, Eun-hee noted that a future season of Kingdom will dabble in the exploration of resentment as a theme for the basis of the new story to be told.