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12. Plot[edit] Gates to another dimension, called Mato, begin opening across Japan, where monsters known as Shuuki begin attacking the inhabitants of the Earth. Inside these portals are a resource called a "Peach", which, when consumed by women, give them supernatural powers, leading to a matriarchal society. One day, Yuuki Wakura, a recent high school graduate, stumbles inside a gate and meets Kyouka Uzen, the commander of the 7th squad of the Demon Defense Force. Kyouka has the power to "enslave" Shuuki and mount them for combat, but cornered by an increasing number of Shuuki, she asks Yuuki if she can enslave him. He consents and turns into her "slave", and they defeat the Shuuki.

Viz Media. Archived from the original on August 31, 2023. Retrieved August 31, 2023. ^ 【12月11日付】本日発売の単行本リスト. Comic Natalie (in Japanese). Natasha, Inc. February 9, 2016. Archived from the original on November 5, 2021. Retrieved November 2, 2021. ^ 【7月8日付】本日発売の単行本リスト. Comic Natalie (in Japanese).

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^ "Triad Toys To Produce Samurai Champloo Figures". Anime Nation. June 26, 2008. Archived from the original on December 14, 2021. Retrieved December 14, 2021. ^ サムライチャンプルー. Grasshopper Manufacture (in Japanese). Archived from the original on January 21, 2014. Retrieved December 14, 2021. ^ "TGS 2005: Samurai Champloo -- First Look". IGN. The story thus takes place across a long time, with periodic flashbacks accompanied by the physical and mental development of characters apart from Frieren herself. Production[edit] Katsuma Ogura, the editor-in-charge of Frieren, noted that Yamada's previous work, Bocchi Hakase to Robot Shoujo no Zetsubou Teki Utopia, did not sell well, despite considering it a masterpiece. This led to the suggestion of giving Yamada an illustrator for Frieren. They had several thoughts that went from a gag manga which resulted in storyboards for a one-shot of Frieren. Upon reading the one-shot of Frieren, Ogura started laughing, claiming that it was not a comedy at all. When Yamada finished the first storyboard, before sending it to the editorial department, Ogura contacted Abe and asked them to draw a character chart. Yamada was impressed with it and Ogura asked him do it, submitting the project to the editorial. Ogura was impressed with Abe's artwork and suggested that he work with Yamada. Yamada was impressed with the first illustration of Frieren, believing the title character had an aura of humanity. [2] After Kanehito Yamada, who was in charge of the original work, finished serializing his previous work, "Since it was a comedy about demons, I suggested that they try writing a gag in that direction, and suddenly the name of the first chapter of Funeral Frieren" came up. [3][4] After that, he decided to hire someone to be in charge of drawing, and when he showed his name to Tsukasa Abe, who was also in charge, he responded, "I'd like to draw it.