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Shueisha. Archived from the original on April 17, 2021. Retrieved April 17, 2021. ^ "Chained Soldier, Vol. 2". Yen Press. Archived from the original on June 2, 2021. Retrieved June 2, 2021. ^ "青春ブタ野郎はハツコイ少女の夢を見ない" (in Japanese). Dengeki Bunko. Archived from the original on May 13, 2021.

After restoring Misa's memories, Light instructs her to begin killing as Kira, causing L to cast suspicion on Misa. Rem realizes Light's plan to have Misa sacrifice herself to kill L. After Rem kills L, she disintegrates and Light obtains her Death Note. The task force agrees to have Light operate as the new L. The investigation stalls but crime rates continue to drop. Four years later, cults worshipping Kira have risen. L's potential successors are introduced: Near and Mello. Mello joins the mafia whilst Near joins forces with the US government. Mello kidnaps Director Takimura, who is killed by Light. Mello kidnaps Light's sister and exchanges her for the Death Note, using it to kill almost all of Near's team. A Shinigami named Sidoh goes to Earth to reclaim his notebook and ends up meeting and helping Mello.

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The first two, "Masta" and "Departure", were released on June 23. "Departure" focuses on tracks by Nujabes and Fat Jon alongside Minmi's main ending theme, while "Masta" includes work from FORCE OF NATURE and Tsutchie including "You". The next two, "Playlist" and "Impression", were released on September 22. "Playlist" was dedicated entirely to work by Tsutchie, including "Fly". "Impression" bundles tracks by Nujabes, Fat Jon and Force of Nature, alongside the theme "Who's Theme". [44][45] Broadcast[edit] Samurai Champloo was first revealed through a magazine spread in the September 2003 issue of Newtype,[46] and it premiered on Fuji TV on May 20, 2004. [47] The series ran for seventeen episodes on the network until September 23, 2004, when they decided to cancel its broadcast. [48][49] The series resumed airing on Fuji Network System, referred to as a second season, during the channel's midnight slot;[49][50] the remaining 18th–26th episodes aired from January 22 to March 19, 2005. [51][52] The original North American licensee was Geneon Entertainment and its parent company Pioneer Entertainment, licensing the anime a year before its Japanese broadcast. [53][54] The dub was handled by Bang Zoom! Entertainment, with company president Eric Sherman remembering it as one of his favorite projects. [55] In a later interview, Jin's voice actor, Kirk Thornton, described the dubbing as a rare project where the actors were able to have a greater freedom in their performances, not having to match the Japanese original. [32] Tietje and Cresap quote evidence that suggests there exists "a 7–to–9 percent 'penalty' for being in the lowest 9 percent of looks among all workers and a 5 percent 'premium' for being in the top 33 percent". While accepting that the evidence indicates that such discrimination does occur, the authors argue that it has been pervasive throughout history and that judgments of aesthetics appear to be a biological adaptation (rather than culturally conditioned) to aid reproduction, survival, and social interaction, allowing people to determine viable mates (level of attractiveness being indicative of health) and the status of others as "friend or enemy, threat or opportunity". The authors also argue that if physical attractiveness can improve a company's success, then awarding people for it is justifiable, as the trait is thus relevant to the job and discrimination only occurs when irrelevant traits are used. In addition, the authors question the practicality of both redressing any injustices based on lookism and of determining whether such injustices have in fact occurred. Thus the authors conclude that there can be no clear model of injustice in such discrimination, nor would legislation to address it be practicable – "We do not see how any policy interventions to redress beauty discrimination can be justified. "[32] Nancy Etcoff, author of Survival of the Prettiest, argues that human preference for attractiveness is rooted in evolutionary instinct and that trying to prevent it from influencing people would be "telling them to stop enjoying food or sex or novelty or love" and thus argues that "being beautiful and being prized for it is not a social evil. "[33][failed verification] Political lookism[edit] Lookism has been an issue in politics for centuries, with a long tradition in the United Kingdom of "mercilessly exaggerat[ing]" the physical flaws of politicians in newspaper cartoons. [34] In the 1960 US Presidential race between John F. Kennedy and Richard Nixon, it was often believed that Kennedy's more conventionally handsome appearance contributed to his winning more approval in their first televised debate,[35] but some researchers have challenged this widespread idea and argued that Kennedy's appearance had little or no influence. [36] More broadly, research in countries such as Germany,[37] Canada,[38] the United States,[39] and the United Kingdom[40] has found that more attractive candidates benefit from their appearance by getting more votes in elections, and by being more often forgiven for scandals. [41] In terms of vote choice, at least, the effect of lookism is not even across all contexts.