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[21] However, due to complaints from his editor, the protagonist was changed into a Viking. With this proposed setup, the author agreed as he wanted Thorfinn to understand the causes of tragedy by his being a Viking in later parts of the narrative. He wanted the protagonist to be affected by violence, often having poor luck. [22] Yukimura began serializing Vinland Saga in April 2005 in Kodansha's Weekly Shōnen Magazine, where it ran until October 2005. After a two-month hiatus, it resumed serialization in late December 2005 in the seinen manga magazine Monthly Afternoon, also owned by Kodansha. This switch was caused by Yukimura, who found he could not keep up a long-term weekly production schedule. [23] He sometimes works 18 hours as one of his techniques requires a lot of time. He stated that he creates and submits one page each day to the publisher. He also states how tens of thousands of people wish to work creating manga and the competition results in high-quality manga. [24] When he first started drawing, Yukimura expected the series to take 10 years to finish, but later gave an estimate of 14 years. He had calculated that there would be 20 volumes, with each part consisting of four volumes, with five volumes each; this amount later increased to over 22 volumes. La deuxième série n'a jamais été doublée en France et n'existe qu'en version originale sous-titrée. Polémiques et censures[modifier | modifier le code] Particularités du dessin[modifier | modifier le code] Selon Yoshio Takami, qui a produit l’anime, celui-ci s'adressait à un public à partir de 16 ans. Les coups donnés par les héros de la série ont généralement pour effet de faire imploser leurs adversaires (pour les adeptes du Hokuto Shinken), non pas sous la force des coups mais en frappant les points vitaux, comme s'il s'agissait d'une sorte d'acupuncture de combat[21], ou encore de découper leurs adversaires (pour les adeptes du Nanto Seiken). Dans la première série, les gerbes de sang résultant de ces techniques sont rendues sous la forme de jets de lumière blanche pour en atténuer l'effet « gore ». Il arrive a contrario qu'un effet de transparence évoquant une radiographie mette en évidence les destructions internes occasionnées, comme le bris du squelette ou l'éclatement des organes. Dans la version française, Ken ponctue souvent un coup fatal du Hokuto Shinken par la phrase rituelle ou réplique culte : « Tu ne le sais pas encore mais tu es déjà mort » (« Omae wa mou shindeiru »), avec parfois l'apparition d'un compte à rebours matérialisant l'irréversibilité des effets destructeurs de la technique.