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that its assemblage was quite a coincidence", adding that in the anime industry people often get chosen for a job because they "just happened to be there" or their schedules "happened to align at the right time" and that it is rare for people with exactly the ideal talents or innate qualities to get chosen. [96] Former prime minister of Japan Yoshihide Suga quoted the series at a House of Representatives Budget Committee in the National Diet in November 2020. [97][98] The incumbent, Fumio Kishida, has remarked that he was a fan of the series, pledging that he would improve the conditions in the anime and manga industry. [99][100] Several politicians even used motifs and patterns from the series in their campaigns in 2021. [101][102] Critical reception[edit] Writing for Monsters and Critics, Patrick Frye wrote that the anime adaptation is "praised [for] the animation quality and flowing battle scenes that integrate digital effects seamlessly" while noting that "some fans have complained about weird story pacing issues thanks to flashbacks and some slow moments, but everyone agrees that once the action picks up, it's amazing. "[103] Writing for Anime News Network, James Beckett highlighted Episode 19 by noting it was "a thrilling showstopper of an episode, showing off ufotable's considerable skills as producers of nearly unrivaled action spectacle. "[104] The anime series has been considered as one of the best anime of the 2010s. Polygon's Austen Goslin wrote that "Few shows over the last 10
years have so clearly or unabashedly made fights their focus, and absolutely none of them have done it as well as Demon Slayer". [105] Crunchyroll listed it in their "Top 25 best anime of the 2010s", with reviewer Daniel Dockery commenting, "From the top-notch action choreography to the understated (and sometimes not so understated) emotional moments, to the infinitely meme-able Inosuke, Demon Slayer can be a wonder to behold". [106][107] Writing for Comic Book Resources, Sage Ashford ranked it second on his list, praising its animation and protagonists, whom he called "the most likable male and female leads of the decade". [108] IGN also listed Demon Slayer: Kimetsu no Yaiba among the best anime series of the 2010s.
Mr. Inoue has taken the powerful Musashi who was sometimes called a 'beast' and drawn him as a vagabond. The artist brags about boldly challenging the national literary work of Eiji Yoshikawa, even so, the sense of speed that he creates is impressive. I send my applause to the artist for creating a new image of Musashi". [40][41] The same year, the series won the 24th Kodansha Manga Award in the general category. [42] Vagabond also received the Grand Prize of the sixth Tezuka Osamu Cultural Prize in 2002, and the North American version earned Inoue a nomination for the 2003 Eisner Award in the Best Writer/Artist category. [17] Critical response[edit] In early releases of the manga, MangaLife found Musashi appealing for his quest of strength and Inoue's detailed artwork despite its slow pacing. [43] They find the early journey of Musashi impressive due to the emphasis on violence over his mental development and his connections with Matahachi. [44] The eventual release of the sixth volume received more acclaim from the Manga Life for further developing Musashi's bushido, his acceptance of his weak point and how Matahachi also kept appearing despite the two still not meeting. [45] The Fandom Post was drawn out by the writing of Inoue when reading the first manga volume, praising its large amount of content and whether or not Musashi is still capable of being a true warrior when interacting with the monk Takuan. [46] A similar comment was given by ComicBookBin with the reviewer claiming that his impression of Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion.
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