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^ 地獄楽 3 (in Japanese). Shueisha. Archived from the original on November 3, 2021. Retrieved October 12, 2019. ^ "Hell's Paradise: Jigokuraku, Vol. 3".
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Retrieved June 18, 2022. ^ Loo, Egan (June 18, 2022). "Tokyo Revengers Anime's 'Christmas Showdown' Arc Premieres Next January". Anime News Network. Archived from the original on June 18, 2022. Retrieved June 18, 2022. ^ Loo, Egan (December 8, 2022). "Tokyo Revengers: Christmas Showdown Anime Announces Ending Song Artists, January 7 Debut". Anime News Network. Archived from the original on February 20, 2023. Retrieved December 8, 2022. [11] In April 2022, Shueisha began publishing the series in English on the Manga Plus website and mobile app. [12] In July 2022, at Anime Expo, Yen Press announced that they licensed the series for an English release. [13] The first volume was released on January 17, 2023. [14] As of November 21, 2023, four volumes have been released. [15] The series has been licensed in Taiwan by Chingwin Publishing Group,[16] in South Korea by Daewon C. I. [@dw_ci] (February 4, 2021). 《최애의 아이 1권》 아카사카 아카 X 요코야리 멘고호화 콤비의 연예계 충격작 개막━✨https://blog. naver. com/daiwon_ci/222231571558 (Tweet) (in Korean). Retrieved September 24, 2022 – via Twitter.[107] On review aggregate website Rotten Tomatoes, the anime has a rating of 88% based on eight reviews. [108] The Western home media releases saw positive responses for their visual and sound quality, though a lack of extras was noted. [109][110][111] Tasha Robinson, in a review of the first English DVD release for Sci-Fi Weekly, was concerned about the opening episode's similarity to the set-up for Cowboy Bebop. [3] In a similar review for Play Magazine, Dave Halverson noted his enjoyment of the story but felt readers should see the anime with as little story information as possible. [112] DVDTalk's Todd Douglass noted the simple premise of the story, but enjoyed each episode's plot and praised the interactions of the main cast and its sense of style. [109] Nick Browne of THEM Anime was less positive, faulting its weaker multi-episode stories and uneven treatment of serious cultural issues despite enjoying the humor born from its main cast. [110] Salvan Bonaminio of The Escapist described the main cast as stereotypes, faulted the forgettable supporting cast, and called many episodes including the ending underwhelming. [113] James Beckett of Anime News Network enjoyed the main cast, but negatively cited a lack of cohesion across the series, and strongly criticised Fuu's frequent kidnappings for story purposes as detrimental to her character. [111] Halverson gave praise to the animation and character designs without specific commentary,[112] while Robinson positively compared the fight choreography and art design to Watanabe's work on Cowboy Bebop and The Animatrix. [3] Douglass cited the anime as a perfect example of Watanabe's visual style,[109] and Browne cited its visuals and technical achievements as high points. [110] Bonaminio included a positive mention of the anime's visible production quality during his summary.