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Mafuyu goes to look for him, only to discover that the church holding the icon is burning down. When she tries to save the painting, the rumored serial killer suddenly attacks her with a mysterious ability to control magnesium. Appearing out of nowhere, the silver-haired boy, who can control iron, rescues Mafuyu. Mafuyu finds out that the boy, named Alexander Nikolaevich "Sasha" Hell, is a "qwaser"—a being who is capable of controlling an element through the power of "soma," received through the act of breastfeeding. Confused by the ordeal, Mafuyu attempts to move past it with little luck, as Sasha transfers to her class the next day. What will become of Tomo and Mafuyu's normal school life with the danger of other qwasers looming close to them? [Written by MAL Rewrite] StudioHoods Entertainment SourceManga ThemesGoreHaremSchoolSuper Power DemographicSeinen 6. 33 329K Add to My List Machine-Doll wa Kizutsukanai 325160 7. 04 20131007 Machine-Doll wa Kizutsukanai TV, 2013Finished 12 eps, 23 min Action Fantasy Sci-Fi Ecchi Machine-Doll wa Kizutsukanai The Walpurgis Royal Academy of Machinart was founded alongside the development of "Machinart," machine magic capable of giving life and intelligence to mechanical dolls subsequently called as "automaton. " Its aim: train skilled puppeteers to control the automatons, as militaries across the globe have begun incorporating Machinart into their armies. After miserably failing the academy's entrance exams, Raishin Akabane and his humanoid automaton Yaya must defeat one of the top one hundred students to earn the right to take part in the Evening Party, a fight for supremacy between puppeteers using their automatons. The last one standing is bestowed the title of "Wiseman" and granted access to the powerful forbidden arts.

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Archived from the original on 11 December 2021. Retrieved 7 November 2020. ^ "Armpit hanging on the rim dunk". YouTube. Retrieved 12 July 2012. ^ "Haneef Munir Windmill Elbow hang". YouTube. Archived from the original on 11 December 2021. Retrieved 11 July 2012. ^ "Kenny Dobbs Slam Interview (half way down page)". Archived from the original on 9 October 2011. [11] Takahata insisted on working with well known animators Yoshifumi Kondō who was working for Nippon Animation at the time and Yoshiyuki Momose. [12] Both animators played a pivotal role in creating fluid, realistic animations of the characters in the animation. [13][14] Takahata drew from his personal experience to create a realistic depiction of the air raid on Okayama. In an interview, he criticized TV shows and movies that had recreated images of incendiary bombs, "They include no sparks or explosions, I was there and I experienced it, so I know what it was like. "[15][16] The film features Niteko-ike pond (ニテコ池), which is described as the "birthplace" of the novel and where Nosaka conducted his daily routines of dishwashing and personal ablutions. Notably, during the final days of the Pacific War, Nosaka, then 14 years old, sought refuge with his younger sister-in-law in a relative's house and nearby bomb shelters near the pond. [17][18] The location and background in the film is based on a style created by 18th century Japanese artist Hiroshige and his follower Hergé, who created Tintin. [19] Film critic Roger Ebert examines the contrast of the style of the background in comparison to the cartoonish animation of the characters. He claims that there is an unusual amount of detail in the evocative landscape, while the characters are a take on the modern Japanese animation with childlike bodies and enormous eyes. The depiction of Seita and Setsuko have Ebert believe that this deliberate animation style embodies the true purpose of animation, which is to recreate the raw emotion of human life by simplifying reality to emphasize ideas. [20] He concludes his analysis with saying, "Yes, it's a cartoon, and the kids have eyes like saucers, but it belongs on any list of the greatest war films ever made.