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Traditional Il était une fois. les
Découvreurs Once Upon a Time. The Discoverers 1994 Procidis The fifth Il était une fois.
[54] The French website Manga News found the premise captivating due to the mysteries it shows. [55] Sigue en Serie also commented on the mysteries of the series, which would motivate readers to move quickly to the next volumes in order to understand more the plot through the two parallel storylines. [56] By the third volume, Manga News
noted that the events
from the both storylines have been connected especially from Tokio's point of view while the duo's journey was noted to be more comical than tragic in contrast as a result of how Ishiguro writes the chapters. They still felt both plots offer interesting mysteries whose connections are not given away that easily. [57] Brutus magazine listed Heavenly Delusion on their "Most Dangerous Manga" list, which included works with the most "stimulating" and thought-provoking themes. [58] Vinland Saga's author Makoto Yukimura expressed interest in the themes of Heavenly Delusion due to the idea of a heaven as well as how Ishiguro tells two stories at the same time that are connected as the narrative continues. [59] Anime[edit] The first episode earned a positive response by Anime News Network due to the dystopian premise and amount of character, while being compared to Blame!, and the animation produced for both human and monster designs. [60] They noticed that the series appears to heavily focus on the gender, not on Kiruko's "experience of trans men, but rather as means of interrogating and playing with rigid gender constructs in a more generalized sense. Gender affects all of us, across the entire spectrum of identity and presentation, so thinking about gender critically and flexibly is an important thing to do. " They further praised the relationship between Maru and Kiruko for how caring they are with one another and noted that the flashback's incestuous "angle might just be sensationalism for the sake of it, but I don't mind that extra splash of taboo when the full picture is this interesting. "[61] Anime Feminist enjoyed the handling of the animation as well as the dynamic between the two leads with Maru looking suspiciously similar to another person featured in the parallel story.
The only difference between the comedic style of
overlord and kagejitsu is,to quote my overlord season 4 review “The way overlord carries comedy with it how ainz is supposed to be benevolent the all-knowing the all-seeing yet inside, he is the most confused person in the room!” Shadow only cares about being the coolest person in the room, so he will keep making shit up as long as it makes him seem so (even though he
accidentally ends up being correct!).
Plot (9/10)
The protag has a simple yet twisted goal, he wants to be a normal-looking guy who is actually an eminence in shadow ie his alter ego is basically the strongest person although his named self is the normiest of normies. The show has Amazing pacing for an isekai, it wastes no time in introducing a new and vast cast, and still manages to make sure that the quirk and charm of these characters are well-balanced and explores it enough for a perfectly timed gag, the plot itself is basically shadow-making up crap that more often than not is a convenient flavor text for him, but a reality for the actual world is quite an interesting and hilarious take because to my knowledge he still believes that they are all roleplaying with him xD. It is quite the feat that so many characters have an intertwined story with each having a ‘role to play’ in shadow sama’s VISION.
characters(10/10)
I can't believe the number of waifus this show has produced in mere minutes of each of them being on screen, going from obvious fetish bait to quite endearing and adorable waifus with very distinct personalities. Within 20 episodes we get introduced to a whole slew of characters, and well its no wonder that all the members of shadow garden happen to be hot slime-wearing ladies UwU.
