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He also explains the reported details surrounding Kayo's death, noticing Yuuki's framing matches with another kidnapping incident in a nearby town and deducing the true kidnapper was the one who killed Sachiko. While Satoru looks up Sawada's findings on the kidnapping incident, including a list of previous suspects, Sawada goes to the hospital to meet with Airi, only to discover that her mother has swapped places with her so she can prove Satoru's innocence. Airi meets with Satoru, informing him of a mysterious man named Nishizono who may have been responsible for the fire, but the police arrive and arrest Satoru. As he is taken away, Satoru spots the man he saw leaving his apartment on the night of his own mother's murder. 7"Out of Control"Transliteration: "Bōsō" (Japanese: 暴走)Toshimasa IshiiYutaka YasunagaFebruary 19, 2016 (2016-02-19)[46] Determined not to let things end the way it is, Satoru successfully triggers his Revival through sheer willpower, returning him to February 28, 1988. During school the next day, Kenya confronts Satoru about Kayo's situation at home, admitting that he has known for a while now about the domestic violence, and offers his assistance. Following the birthday party on March 2, Satoru throws a rock through Yuuki's window to bring about the police, providing Yuuki with an alibi for his whereabouts. Afterward, Satoru seeks out Akemi and comes close to pushing her down some stairs, but is stopped by Kenya, who convinces him to choose a different course of action. Instead, Satoru decides to "abduct" Kayo with her permission, taking her to an abandoned bus to hide out for a few days until she is confirmed to be safe. On the night of March 3, however, an unknown intruder enters the bus while Kayo is sleeping. 8"Spiral"
Transliteration: "Rasen" (Japanese: 螺旋)KosayaYutaka YasunagaFebruary 26, 2016 (2016-02-26)[47] Kayo manages to hide from the intruder who exits the bus, leaving behind a footprint on a box he kicked.
[80][79][91][78] Miura stated that he based the Band of the Hawk on his own high school friend relationship experience. [16][28] Specifically, he mentioned that his friendship with later fellow manga artist Kouji Mori partially inspired the relationship between Guts and Griffith. [7] Jacob Chapman of Anime News Network, wrote that through their friendship, Guts' ambitions were elevated and Griffith's were lowered, allowing both of them to consider a new future for the first time, one where they fight side by side as equals and die on the battlefield, but they reject this future out of their own personal fears, as Guts did not think he was "good enough" for a happy future and Griffith was terrified of his lofty dream crumbling into something more mundane. [92] Miura also said that the conflict between Guts and Griffith speaks about their change after having built their personalities. [16] The Golden Age arc has been compared to a Greek tragedy. [93][94] According to Lauenroth, Griffith's hamartia lies in how he compartmentalizes his feelings of guilt and shame that would get in the way of his dream and how he deals to repress them. His inner dialogue in his second duel with Guts, "If I can't have him, I don't care," marks the Golden Age arc peripeteia. [79] When Guts comes running to rescue him during the Eclipse, Griffith reaches his moment of anagnorisis with his thought: "You're the only one. who made me forget my dream.
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