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GoofsAfter the unnamed man escorting Takashi uses himself as a shield to protect him, Takashi apparently has spots of blood on his head, but as he gets up we see that blood was on the pavement and overlapped Takashi's head due to an animation error. QuotesKiyoko: The future is not a straight line. It is filled with many crossroads. There must be a future that we can choose for ourselves. Crazy creditsThe date of the first coming of Akira is the exact same date as it was released originally in Japan. Alternate versions2001 re-release of the English language includes a new English dub script and voice cast. ConnectionsFeatured in Akira: Production Report (1988)SoundtracksTokyo Shoeshine BoyPerformed by Teruko AkatsukiUser reviews610ReviewReviewFeatured review10/10 Trademark Manga for the Western cultureWithout a doubt the necessary injection of Manga culture Western audiences needed. Personal objections (or should I say appraisals) aside, Akira deconstructs the form of narrative and character development that we had all become accustomed to through Hollywood and produces a reasonably honest translation of Katsuhiro Otomo's Manga epic, with mass deletions of unnecessary characters and plot avenues. The story is complex enough to keep western audiences attention, yet simple enough to digest whilst taking in the wonderfull animation and excellent soundtrack (a collection of traditional Japanese instruments and modern day synthesised electronica that allow for elements of cinema to establish themselves for the audience) The conflict between the two main characters, Tetsuo and Kaneda is ultimately superceded by the films namesake, the mystery of the boy Akira, and as with very few films Hollywood produces it leaves it's more labour intensive thinking until the end. A delight to follow, with periods of intense action and thought provoking predictions of a neo society, one would like to think of the film as the pipe dream of one who predicted such tragic events as of September 11. Akira, whilst violent for the medium, is a lush metropolis of gang warfare, a psuedo examination into the possible, and a fantasy tale of elements long lost in modern cinema.
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