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A popular option, actually introduced during the 1967 model year, was a hood-mounted tachometer, located in front of the windshield and lit for visibility at night. An in-dash tachometer was also available. Redline bias-ply tires continued as standard equipment on the 1968 GTO, though they could be replaced by whitewall tires at no extra cost. A new option was radial tires for improved ride and handling. However, very few were delivered with the radial tires because of manufacturing problems encountered by the supplier B. F. J. C. StaffJ. K. IJ.

Anime News Network. Archived from the original on November 17, 2021. Retrieved November 17, 2021. ^ Luster, Joseph (April 21, 2023). "Classic Saint Seiya: Knights of the Zodiac Anime Launches on Crunchyroll with Remastered English Dub". Crunchyroll. Archived from the original on May 5, 2022. Retrieved February 15, 2022. ^ Melrose, Kevin (May 29, 2012). "Winners announced for 2012 Eagle Awards". Comic Book Resources.

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[7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. [6] When Nosaka asked if the film characters were "having fun", Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days". [8] Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. [6] Takahata said that "In that respect, when you make the book into a movie, Setsuko becomes a tangible person", and that four-year-olds often become more assertive and self-centered, and try to get their own ways during that age. He explained that while one could "have a scene where Seita can't stand that anymore", it is "difficult to incorporate into a story". [9] Takahata explained that the film is from Seita's point of view, "and even objective passages are filtered through his feelings". [8] Takahata said that he had considered using non-traditional animation methods, but because "the schedule was planned and the movie's release date set, and the staff assembled, it was apparent there was no room for such a trial-and-error approach". [8] He further remarked that he had difficulty animating the scenery since, in Japanese animation, one is "not allowed" to depict Japan in a realistic manner. [6] Animators often traveled to foreign countries to do research on how to depict them, but such research had not been done before for a Japanese setting. [6] While animating the movie, Takahata also created several different cuts of the scene in which Seita cremates Setsuko's body. The Korea Times. July 30, 2021. Retrieved July 30, 2021. ^ Mahavongtrakul, Melalin (March 13, 2020). "More blood will spill". Bangkok Post.