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[30] Thus, Nagaike asserts that yuri does not conform to the political vision of lesbianism espoused by philosophers like Monique Wittig that sees lesbianism as overthrowing "the political and sociological interpretation of women's identity;" rather, yuri is closer to Adrienne Rich's vision of a "lesbian continuum" that seeks to overthrow compulsory heterosexuality. [30] See also[edit] Anime and manga portalJapan portalLGBT portal See also: Category:Yuri (genre) Glossary of anime and manga Femslash Hentai Homosexuality in Japan Lesbian erotica LGBT rights in Japan Pornography in Japan Sexual minorities in Japan Women who have sex with women Womance References[edit] Citations[edit] ^ Charlton, Sabdha. "Yuri Fandom on the Internet". Yuricon. Archived from the original on September 22, 2017. Retrieved January 12, 2008. ^ Maser 2013, pp. 3–4. ^ "Yurizoku no Heya". Barazoku (in Japanese): 66–70. November 1976.The amount of time the Bronze Saints had to accomplish their task within was nowhere near as well shown as in Sanctuary and aside from Siegfried, the God Warriors had power nowhere near as great or consistent a strength or grouping as the Gold Saints, with their 2nd strongest member still being only equal to Taurus Aldebaran. The general structure is also a copy-paste of Sanctuary as most of the series was from then on, showing how the series lost a lot of steam after it's first 73 episodes and went with rehashing it's most popular plot line in new ways. Despite that, it was still a decent arc and a masterpiece by filler standards. 6/10.
===Part 3: Poseidon Arc===
The final arc of the original anime was the Poseidon Arc, which was a definite step down from the previous two. It did at least try to be less formulaic by not having it's standard opponents be in such a linear road, but that means little when the execution is still repetitive and, unlike with the two previous arcs main group of villains, the Marina Generals are for the most part a major disappointment. Kanon was good due to his role as a manipulator and Isaac was decent due to his ties to Hyoga (though mainly only to serve as character development for Hyoga), yet the rest were completely bland beyond a gimmick or two. It doesn't help that power-wise, only Kanon, Krishna, Isaac and maybe Sorrento felt that impressive, with the rest getting steamrolled pretty quickly once the Bronze Saints got serious.
It was good that the battles required more than just beating the opponent, but it didn't really matter after the first battle since the destruction of the Sea Pillars was no longer a big deal with the Libra Cloth. Having a god as the main antagonist did increase the scale and Poseidon's desire to reshape the world wasn't too hyperbolic from his perspective, though he felt very underwhelming for such a powerful god when he was overpowered twice by the combined power of the main cast (the second time in which he'd gone through a gigantic power up of his own) and coming close to his full power didn't change much overall. It also doesn't help that the sense of tension, like the previous arc's, is nowhere near as great as Sanctuary due to having no solid grasp of how much time Athena had left.