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Except it eventually becomes very creepy, but keeps the art style. VA-11 HALL-A looks like an anime visual novel that's really deep in the PC-98 aesthetic, but the game was developed in Venezuela. A Summer's End — Hong Kong, 1986 is a Visual Novel developed by Studio Oracle and Bone, a team based in Canada, but it takes a lot of aesthetic cues from anime of The '80s, such as City Hunter and Kimagure Orange Road. In one post from the official site, the artist names the art of Haruhiko Mikimoto, Akemi Takada and Akihiro Yamada as some early artistic influences. Web Animation Bee and Puppycat is very obviously inspired by shoujo anime both thematically and stylistically. Bee specifically is reminiscent of Usagi in that she is a Loser Protagonist and becomes a Magical Girl who fights in space after she meets a cat (dog.

The fight is one-sided and Yuri takes Dinoi out with ease. Baki then challenges Yuri to a match. Since it is the Jigil code to never back down from a fight he agrees to fight Baki besides the age difference. Baki puts up a fight but is easily defeated by Yuri. The next day Baki leaves town heading for a remote location to train so that he may become stronger. After losing his fight with Yuri Chakovsky, Baki wanted to get stronger.

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Archived from the original on 22 February 2012. Retrieved 28 July 2013. ^ Hayward, Jon (17 May 2013). "Siren Visual Acquires Monster". Anime News Network. Archived from the original on 16 July 2013. Retrieved 28 July 2013. ^ Russell, Bradley (3 January 2023). "Netflix has added two classic anime shows – but several episodes are missing". GamesRadar+. Archived from the original on 4 January 2023. Harry Potter and Fantastic Beasts and Where to Find Them producer David Heyman would be on board to produce a proposed two-film project that would remake the 2015 Japanese live-action film adaptations. [104] A day later, however, Kodansha representatives said there were no negotiations with Warner Bros. [105] However, on October 29, 2018, it was revealed that Warner Bros. and Kodansha finalized a deal to produce a live-action adaptation with It director Andy Muschietti signing on to direct the film. [106] Other media Two guidebooks to the manga titled Inside and Outside were released on April 9 and September 9, 2013, featuring concept art, character profiles and interviews. [107][108] They were combined into one and released in North America on September 16, 2014, by Kodansha USA. [109] A 16-minute drama CD was created with the anime's staff and included in the January 2014 issue of Bessatsu Shōnen Magazine. [110] On November 3, 2014, American writer C. B. Cebulski revealed that a crossover between Attack on Titan and Marvel Comics was in the works. [111] Cebulski scripted the scenario written by the manga's author Isayama.
However, Asmar and Azur's separation has damaged their bond and Asmar also longs to find and marry the Djinn-fairy. They must learn to work together and get along again, but only one of the two princes can be successful in his quest. [1] Cast[edit] Cyril Mourali Karim M'Riba Hiam Abbass Patrick Timsit Rayan Mahjoub Abdelsselem Ben Amar Fatma Ben Khell Thissa d'Avila Bensalah Sofia Boutella Olivier Claverie Jacques Pater Tayeb Belmihoub Franck-Olivier Bonnet Carlos Chahine Mohamed Damraoui Michel Elias Bouchra En Nasser Nicolas Lormeau Tassadit Mandi Sonia Mankaï Hamid Nasser Mohamed Ourdache Albert Pariente Lahcen Razzougui Hichem Rostom Mahmoud Said Myriam Tekaïa Djemal Touidjine Hichem Yacoubi Omar Yami Imogen Bailey Sean Barrett Freddie Benedict Leopold Benedict Suzanne David Steven Kynman Nigel Lambert Suzanna Nour Nigel Pilkington Emma Tate Keith Wickham Production[edit] Ocelot describes the visual style of Azur & Asmar, as distinct from his earlier works, as being influenced by French art and Early Netherlandish painting of the 15th century (in particular, Jean Fouquet, the Limbourg brothers and Jan van Eyck), Persian miniatures and Islamic civilization from the Middle Ages until the 15th century and 16th century Safavid art. [4] Release[edit] Azur & Asmar premièred on 21 May 2006 as part of the Directors' Fortnight of the 2006 Cannes Film Festival[1] and was released to French theatres nationwide on 25 October 2006. [5] An English-subtitled version was shown at numerous film festivals including the Montreal Film Festival for Children and Sprockets Toronto International Film Festival for Children – in both cases winning the festival's audience award. At the World Festival of Animated Film Zagreb - Animafest Zagreb the film won the Grand Prix - best feature film award in 2007. The film was subsequently dubbed into English and distributed in the United Kingdom and Ireland by Soda Pictures (now known as Thunderbird Releasing) under the expanded title Azur & Asmar: The Princes' Quest, receiving a limited release which began on 8 February 2008[1] and lasted several months, most likely due to the small number of dubbed prints made (as of 27 June 2008, it was still showing at one cinema in Cleethorpes). [6] It was rated U by the British Board of Film Classification for "mild fantasy violence"[7] North America[edit] The film was licensed for distribution in the United States by the Weinstein Company on 13 February 2007, during European Film Market at the Berlin International Film Festival. [8] However, as of September 2008 – over a year later – no plans to release the film in the United States had been announced. Similarly, Seville Pictures announced that they would distribute the film to both English and French speakers in Canada, but as September 2008 they have only released a DVD with only the original French dialogue and no English subtitles. [9] Some commentators had theorised that a United States release would be impossible due to Jénane's nipples being visible during a breastfeeding scene early in the film (Kirikou and the Sorceress went unrated to avoid the PG-13 or higher rating it would have received from the Motion Picture Association of America despite the similarly non-sexual nature of the nudity in that film)[10] and the director's refusal to allow his films to be distributed in a censored version; the Weinsteins' apparent dropping of the title seemed attributable to this.