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↑ "Gekijoban Hunter × Hunter". Box Office Mojo. Retrieved September 30, 2013. ↑ "Kinema Junpo". 1684 (2015年3月下旬 映画業界決算特別号). Kinema Junposha.
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118 VF Tales Of Demons And Gods hot Hier Scan Tales Of Demons And Gods. 466 VF Isekai Nonbiri Nouka Hier Scan Isekai Nonbiri Nouka. 57 VF Rebirth of the Urban Immortal Cultivator Hier Scan Rebirth of the Urban Immortal Cultivator. 623 VF Tougen Anki Hier Scan Tougen Anki. 127 VF Scan Tougen Anki. 126 VF Scan Tougen Anki. 125 VF Dai Dark Hier Scan Dai Dark. 44 VF Tower of God hot Hier Scan Tower of God. 591 VF The Max Level Hero Has Returned! Hier Scan The Max Level Hero Has Returned!. 152 VF Scan The Max Level Hero Has Returned!. 151 VF Scan The Max Level Hero Has Returned!. and this is supposed to be tragic? Nothing about this moment makes any sense whatsoever. And to top it off, it also demonstrates a moment where the writers switch Suburu's mental breakdown on and off whenever it suits the story. This isn't some "deep" moment; it's bullshit.Re:Zero doesn't know the difference between mental anguish and parading characters around for personal amusement, nor does it understand that tossing ideas and lifting entire passages from other folktales don't mean it would work as a cohesive piece. There's a reason there's no cohesiveness between arcs; all it does is pattern storylines from works that preceeded it. A fairy tale whose identity can't exist without leaching off of others, and whose attempts at something different result in the aforementioned problems.
Because of a general lack of knowledge, romanticizing samurai (particularly rōnin) in fictional works has become rather common in recent decades. Hence, why Osamu Tezuka — the mangaka of Dororo — decided to amalgamate the samurai heritage with surrealistic demons to create an interesting narrative about a boy (Hyakkimaru) who roams the countryside to recover the limbs that were “stolen” from him, due to his father’s plead for power.
In this regard, the story follows a predictable pattern of presenting new demons/monsters to be defeated by the accomplished samurai (Hyakkimaru) and the cunning orphan (Dororo). Biwamaru — an old, blind man — also swoops in from time to time to help the two when the circumstances seem too dire (a fine example of plot-armor). Besides the built in redundancy and overt plot conveniences, Dororo also suffers from inconsistent pacing. Often times, the story meanders for large segments of time before commencing the next exhilarating battle.
In this regard, the story follows a predictable pattern of presenting new demons/monsters to be defeated by the accomplished samurai (Hyakkimaru) and the cunning orphan (Dororo). Biwamaru — an old, blind man — also swoops in from time to time to help the two when the circumstances seem too dire (a fine example of plot-armor). Besides the built in redundancy and overt plot conveniences, Dororo also suffers from inconsistent pacing. Often times, the story meanders for large segments of time before commencing the next exhilarating battle.