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[8] He took this idea from the series Kinnikuman, which began largely as a comedy before concentrating more on action. [7] Togashi's intention was to establish the main characters and familiarize the reader with them before placing them in tense, physical conflicts. His editor at the time was nervous of him beginning the manga this way and recommended he transition to a battle-focused plot after about 30 chapters. [7] YuYu Hakusho borrows many elements from Asian folklore, particularly Buddhist beliefs in the afterlife. [2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. He thought of them as places that one could not easily travel between using modern technology, but rather as a spirit lacking a material body. [8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui. [12][13] For his drawing materials, Togashi used drafting ink and Kabura pens throughout the creation of the series. While his style of artwork began with screentone, he gradually developed into minimalism. As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [8] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night.
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