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[38] Whilst working on television series, Phantom and Signal, Eun-hee continued to work on the project but encountered challenges in writing a period piece and securing investments for the project. Born out of an interest to explore opportunities for writing in a diverse range of genres and not limited by conventional choices in storytelling and censorship in publicly broadcast K-dramas, Eun-hee credited the success of Train to Busan, as the turning point for the revitalization of the interest in zombie films in the Korean media space. [39][40] In an online interview, Eun-hee stated that politics is integrated to the core of the series, noting that "It's about what politics is. Flawed politics created resentment, and there will be a consequence of gaining the plant that brings dead people to life". She added that the political environment drives many of the decisions, and propels the actions of characters in their journey, highlighting that "If we go deeper and deeper, it all boils down to politics. The pain that comes from politics, the price we have to pay for pain, they are the message that penetrates the series.
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