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k. a "Can I Kiss You Every Day?" That manga exploring childhood friends who force themselves upon one another in a rather pushy relationship would serve as the antithesis to grow into the author's latest manga that has been consistently firing shots of unpleasantry: 2018's Ojou to Banken-kun, which, for better or for worse, is twice the force and quadruple the frustrations, thinking that forced relationships will make for a rather spicy story. If that was the intent of the author, he/she succeeded, but the story itself is quite the dumpster fire of a garbage mess that it is.
Do you remember age-gap relationships, like, say, Summer 2022's Kumichou Musume to Sewagakari a. k. a The Yakuza's Guide to Babysitting? That was a show that had a Yakuza family as the setting, between a normal Yakuza right-hand man and the boss's precious child daughter as a means to teach him how to live life the right way (that's not child grooming, by the way).

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Not to mention that it is not the job of the first attractive accommodating woman to enter the life of a troubled young man to perform all the agonizing emotional labor needed to Fix His Dark Brooding Past. (But five bucks what's going to happen. )
It gets worse from there; it's a 23-volume series and there's only one direction for the stakes to go. But suffice it to say that this is a series that normalizes phenomenally troubling interactions and presents them as acceptable. It's a series that promotes an acquiescence to horrific circumstances; and a seriously messed-up response of just accepting and forgiving and accepting and forgiving, in a way that's revolting to watch.
This is the principal reason for my low opinion of the work, and I've gone on long enough anyway, but I should add that aside from its bad social modeling, the book is largely just meaningless melodrama. Several volumes seem dedicated to side characters who serve no real narrative purpose other than to provide extra bodies to pair people off with. I suppose one could call this "character development," but the growth that occurs is largely arbitrary and implausible; it feels more like filler.
The art's good enough--not my favorite, and rather lazy and repetitive in many places--but passable. Retrieved 2010-07-25. ^ "Code Geass: Akito the Exiled 4th Episode's Trailer Streamed". Anime News Network. 2015-05-15. Archived from the original on 2015-05-17. Retrieved 2015-05-21.