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The MC stays generic. Most of the other characters are plastic molds and lacking any real depth. Speaking of character depth: there are some Johnny-come-lately character development scenes upon the deaths or supposed deaths of some of the plastic-molded characters. Why not establish backgrounds, trials, and/or endearing things before people are taking their last breaths? Tons of fantasy and unrealistic occurrences to move the plot along: One of the most obvious being: The multiple fingers being given to the MC at just the right time to wake up Sukana. Remember when the plot entailed them looking for those fingers? That's pretty much been thrown out of the window to defeat critical foes. Another convenient fantasy part was how the robot-puppet-curse guy's consciousness was transferred to multiple headphones. This allowed him to be able to be completely aware of all different surroundings and have convenient knowledge at selective times to make a difference in the outcomes of certain characters. Then his power dries up in time for some crocodile tears for a character who no one cared about anyway. In contrast to the beginning, the ending felt jerky and boring. Overall, I would say it was an average anime (a 5/10). It's overhyped- largely due to the high-grade animation.

Many animators at Tezuka's Mushi Production later established major anime studios (including Madhouse, Sunrise, and Pierrot). The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. [35] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. [36] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988). [37] Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards. It later became the highest-grossing anime film,[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations of light novels and visual novels; successful examples include The Melancholy of Haruhi Suzumiya and Fate/stay night (both 2006).

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2023". Facebook. Retrieved June 9, 2023. ^ Toonami (June 7, 2023). "Line Up Update 7. 8. 3. Retrieved 21 October 2018. ^ Ashcraft, Brian (30 January 2013). "Legendary Sega Consoles Turned into Colorful Anime Ladies". Kotaku. Archived from the original on December 15, 2007. Retrieved December 11, 2021. ^ "Samurai Champloo (Manga) Vol 2". Madman Entertainment. Archived from the original on February 23, 2008. Retrieved December 11, 2021. ^ "Tokyopop Announces Samurai Champloo Manga". ICV2. April 10, 2005. Archived from the original on September 27, 2021. Retrieved December 11, 2021.
He begins to attack the survivors but through their efforts and Nezuko, who has been fully restored to her human self, the transformation is reverse. In the aftermath of the battle, the Corps are disbanded, with Giyu, Tengen, and Sanemi as the only Hashira survivors. Muzan's death has effectively vanquished all other demons under his control while Yushiro goes to live as a painter. Tanjiro and Nezuko return to their home, accompanied by Zenitsu and Inosuke. Tanjiro and Inosuke marry Kanao and fellow Demon Slayer Aoi Kanzaki, respectively, while Zenitsu marries Nezuko. In a modern-day epilogue, the descendants and reincarnations of the Corps members enjoy a peaceful life free of demons.