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[17] The root of this genre is in part the contemporary belief that same-sex love was a transitory and normal part of female development leading into heterosexuality and motherhood. [20] Class S developed in the 1930s through Japanese girls' magazines, but declined as a result of state censorship brought about by the Second Sino-Japanese War in 1937. [21] Though homosociality between girls would re-emerge as a common theme in post-war shōjo manga (comics for girls), Class S gradually declined in popularity in favor of works focused on male-female romances. [22] Traditionally, Class S stories focus on strong emotional bonds between an upperclassman and an underclassman,[18] or in rare cases, between a student and her teacher. [23] Private all-girls schools are a common setting for Class S stories, which are depicted as an idyllic homosocial world reserved for women. Works in the genre focus heavily on the beauty and innocence of their protagonists, a theme that would recur in yuri. [24] Critics have alternately considered Class S as a distinct genre from yuri,[25] as a "proto-yuri",[26] and a component of yuri. [25] 1970s and 1980s: The "dark age"[edit] In 1970, manga artist Masako Yashiro published the shōjo manga Shīkuretto Rabu (シークレットラブ, "Secret Love"), which focuses on a love triangle between two girls and a boy. Noted as the first non-Class S manga to depict an intimate relationship between women, Shīkuretto Rabu is regarded by some scholars as the first work in the yuri genre. [27] As both Yashiro and Shīkuretto Rabu are relatively obscure and the work focuses in part on male-female romance, most critics identify Shiroi Heya no Futari by Ryōko Yamagishi, published in 1971, as the first yuri manga. [28][29][30] The 1970s also saw shōjo manga that dealt with transgender characters and characters who blur gender distinctions through cross-dressing,[31] which was inspired in part by the Takarazuka Revue, an all-female theater troupe where women play male roles.

Kodansha. Archived from the original on February 2, 2022. Retrieved January 27, 2021. ^ ブルーロック(27) (in Japanese). Kodansha. Archived from the original on October 26, 2023.

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[79] Produced by Studio Pierrot and directed by Noriyuki Abe, it depicts the early events of the manga up to Gon's ocean voyage from Whale Island. A film adaptation by the second television anime's staff called Hunter × Hunter: Phantom Rouge, featuring an original story, was announced in March 2012. It was released on January 12, 2013 by Toho. [80][81][82] It centers around Gon and his friends efforts to retrieve Kurapika's eyes which were stolen by Omokage, the original person with the No. 4 spider tattoo. The film is based on an unpublished story manga creator Yoshihiro Togashi wrote around 10 years before. [83] A second film, titled Hunter × Hunter: The Last Mission, was announced following the first one's debut. The film has some focus on Netero, the chairman of the Hunter Association as Gon and his friends discover the dark secrets behind his past. The movie was released on December 27, 2013,[84] and the DVD and Blu-ray was released on July 23, 2014. [85] At the Japanese box office, Phantom Rouge grossed $12,595,288,[86] and The Last Mission grossed ¥850 million[87] ($8. 72 million), bringing both films' total Japanese box office gross to $21. "Haikyu!! To The Top Episode 10". Anime News Network. Archived from the original on March 25, 2020. Retrieved June 7, 2020. ^ Silverman, Rebecca. "Haikyu!! Second Season Episode 22". Anime News Network. Archived from the original on October 18, 2020. Retrieved June 7, 2020. ^ Ackers, Isaac. "FEATURE: Aniwords – Haikyu!! and Capturing the Magic of Intensity".