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[91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story. That hardly matters, since the film moves with such kinetic energy that you'll be hanging on for dear life". [94] Roger Ebert compares the film to Mad Max, calling it "very gory, very gruesome, but entertaining in its own demented way. "[95] Kim Newman of Empire commends the film's "scintillating animated visuals, with not one – not one – computer-assisted shot in sight". [96] Helen McCarthy in 500 Essential Anime Movies claims that the anime "remains fresh and exciting, easily holding its own against the products of two decades of massive technical advancement". [97] Meanwhile, in February 2004, Dan Persons of Cinefantastique listed the film as one of the "10 Essential Animations", simply referring to the film as "the film that changed everything. "[98] Awards[edit] In 1992, Akira won the Silver Scream Award at the Amsterdam Fantastic Film Festival.

Though she tends to style her hair neatly, occasionally, a hair on top of her head may form into a messy cowlick. She wears a strap around her thigh with three slots in it which she keeps each pole of her bo staff and later the Clima-Tact in. Before the Timeskip[] Before the Syrup Village Arc, Nami wore her trademark orange miniskirt with two white rings on each side filled in with orange or brown in their centers and shirts with short sleeves that were long enough to hide her tattoo on her left shoulder that showed that she was a member of the Arlong Pirates. She also had short hair with a particularly curled strand over the left side of her face. During the Romance Dawn Arc to the Syrup Village Arc, Nami's initial trademark look consisted of a white and blue striped shirt, her trademark orange mini-skirt and brown high-heeled boots. During the Baratie Arc, she wore a pink shirt with the letters "W" and a lowercase "B" in the center in a circle in white.

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Evangelion premiered January 2, 1999, on Australia's national SBS, a then-broadcast-only service roughly comparable to America's PBS. ^ "Evangelion: 3. 33 You Can (Not) Redo is Available Now!". Madman Entertainment. February 10, 2016. Archived from the original on August 12, 2020. Retrieved October 6, 2019. ^ 「鬼滅の刃」公式ポータルサイト. kimetsu. com. Archived from the original on November 1, 2020.