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^ "Japan's Animation TV Ranking, August 14–20". Anime News Network. August 20, 2017. Archived from the original on October 31, 2020. Retrieved April 5, 2020. ^ Pineda, Rafael Antonio (2020-02-28).

Retrieved August 22, 2007. ^ Thorn, Rachel. "Do Manga Characters Look 'White'?". Archived from the original on July 17, 2011. Retrieved December 11, 2005. ^ Poitras 1998. ^ a b Poitras 2000, pp. 61–62. ^ Tobin 2004, p. 88. ^ "Manga Tutorials: Emotional Expressions".

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[10] Araki's consistent focus on the Joestar family was intended to give a feeling of pride as well as the wonder and mystery surrounding the lineage. [9] Araki originally planned the series as a trilogy, with the final confrontation taking place in present-day Japan. However, Araki did not want Part 3 to be a tournament affair, which was popular in Weekly Shōnen Jump at the time, and therefore decided to make it a "road movie" inspired by Around the World in Eighty Days. [11] With Part 4, Araki said that he moved away from "muscle men" as they fell out of popularity with readers and he wanted to focus more on fashion. When designing his characters' outfits, Araki considers both everyday fashion and "cartoonish, bizarre clothing that would be impractical in real life". [12] For Part 6, Araki wrote a female protagonist for the first time which he found complicated, but also interesting due to the humanity she could possess. [13] He later described Part 2's much earlier supporting character Lisa Lisa as fresh and "unheard of" in both manga and society in general for its time, and said it was exciting to challenge people's expectations with the female warrior-type. [6] Having not specifically set out on creating a disabled character, Araki explained that Part 7's paraplegic Johnny Joestar was a natural result of wanting to show a character who could grow, both physically and mentally, during a race where "he would be forced not only to rely on other people, but horses as well. "[12] Araki uses unique onomatopoeia and poses in the series, which he attributes to his love for heavy metal and horror films. [14] The poses, which are known in Japan as JoJo-dachi (ジョジョ立ち, lit. "JoJo standing"), are iconic on his book covers and panels, and were inspired by Araki's trip to Italy in his 20s and his studies of Michelangelo's sculptures. In total, SNK USA sold two NeoGeo Pocket units between the months of April and August in 1999. Two. Ouch. Even though SNK USA did nothing to market the monochrome system, the primary factor underpinning its weak sales in North America was that most gaming enthusiasts already knew that SNK was planning to release the NeoGeo Pocket Color in the US and in Europe. The NeoGeo Pocket Color wasn't just superior to the Game Boy Color in terms of gameplay; it also ran twice as long using the same number of batteries. Eventually, SNK did just that. The NeoGeo Pocket Color went on sale in limited fashion in the United States in June of 1999, with a full nationwide rollout in August. Toys "R" Us, Electronics Boutique, Software Etc. , Babbages, and a whole host of retailers carried the system. Print ads appeared in major enthusiast publications such as Electronic Gaming Monthly and Pocket Games. Word of mouth was unequivocally positive.