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Retrieved July 10, 2022. ^ シャングリラ・フロンティア(5) ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha. Archived from the original on September 4, 2021. Retrieved July 22, 2021. ^ シャングリラ・フロンティア(5)エキスパンションパス ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha. Archived from the original on July 12, 2021. Retrieved July 22, 2021. ^ "Shangri-La Frontier, Volume 5". Kodansha USA.

It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.
Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner.

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And for that, I can't recommend this to anyone who's looking for an Anime with a good story. Not to say it didn't have one-- it does. It just failed to tell that "good story" properly.
Watch it for aesthetics? Yeah. Sure. Do you. Want me to give at least one good reason to watch this Anime? I can give you one. Here it is.
JIRI-JIRI TOOOOOOO!!! MOTO-MERU GIMME MOOOOOOORE!!! xD xD xD Reviewer’s Rating: 6 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Jozuwa-_- (45) Show allRead moreShow lessOpen Gift Report Sep 29, 2023 maguro_942 Not Recommended It started with an intriguing premise and captivating first episode. October 2018. doi:10. 1007/s40278-018-52686-z. ISSN 0114-9954. S2CID 195075504. ^ CN News/Schedules [@CNschedules] (2 October 2018).
Loo, Egan (February 19, 2019). "Japan's Animation DVD Ranking, February 11–17". Anime News Network. Archived from the original on August 16, 2022. Retrieved February 19, 2019. ^ Loo, Egan (January 1, 2019).