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Being meta is more in vogue than ever. Ever since DreamWorks took it upon themselves to poke fun at the Disney company and the Disney brand with *Shrek* back in 2001 and became a monumentally-successful franchise financially, animated film had more or less entered the realm of metacommentary. It didn’t take long for Disney to follow suit; starting with *Enchanted* in 2007 and then expanding that into the soul-sucking exercise of their live-action remakes of the recent years (if not also including choice lines in others like . *Frozen*). If there is any takeaway from this, it’s not only that animated properties being so overtly meta is here to stay, but that it is also a highly-profitable venture. After all, no company is going to change their course if it affects their bottom line. To the company, there’s a simple credo to follow: whether it be about specific properties or about an entire genre’s convention, give the audience a wink. Let them know that you “get it. ”
And in the realm of anime, metacommentary also has its home.
Cavallaro, Dani (2009). The art of Studio Gainax: experimentation, style and innovation at the leading edge of anime. McFarland & Co. ISBN 978-0-7864-3376-6. Clements, Jonathan; McCarthy, Helen (2006). The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 – Revised & Expanded Edition. Berkeley: Stone Bridge Press. ISBN 1-933330-10-4. Fontana, Andrea; Tarò, Davide (2007). Anime. Storia dell'animazione giapponese 1984–2007 (in Italian).
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