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"[88] Based on the first volume however, his colleague Carl Kimlinger said it came off as more of a romantic comedy than sports manga as it focused on establishing the cast. [89] Santos opined that its the stuff that happens off the court that really makes up the manga's heart and soul as each character has a story to tell and a goal to reach, with the court simply providing a stage for them to "act out these universal struggles. "[88] Kimlinger called Sakuragi an "inspired choice" for a lead character as he is a thug with a hair-trigger temper and all the wrong motivations, but said he does the "seemingly impossible" and balances likeability and extreme hubris thanks to humorous scenes. [89] Santos wrote that while Sakuragi may not have the "mind-blowing superhuman skills" we normally associate with shōnen protagonists, watching him grow into a sportsman and decent human being is just as exciting. [88] Despite having some "school-punk" character designs that are generally considered comedic nowadays, Santos called the art solid for its visual flow and sense of motion. [88] Anime[edit] The anime adaptation has also been very popular in Japan.[42] A number of guest artists contributed to different episodes. [43] The opening theme "Battlecry" was composed by Nujabes, with Shing02 singing and writing the lyrics. [32] The ending themes were created by Minmi, Kazami, and Azuma Riki. The final episode's ending theme was "San Francisco", licensed from the rapper band Midicronica. [32][43] The Music of Samurai Champloo was released across four CDs during 2004 by Victor Entertainment under their JVC label. The first two, "Masta" and "Departure", were released on June 23.
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