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^ Season製作委員会, 「進撃の巨人」The Final. "オリジナルサウンドトラック「Ashes on The Fire」KOHTA YAMAMOTO | TVアニメ「進撃の巨人」The Final Season". オリジナルサウンドトラック「Ashes on The Fire」KOHTA YAMAMOTO | TVアニメ「進撃の巨人」The Final Season (in Japanese). Archived
from the original on
April 21, 2022. Retrieved June 25, 2022. ^ "音楽ダウンロード・音楽配信サイト mora ~WALKMAN®公式ミュージックストア~". mora ~WALKMAN®公式ミュージックストア~ (in Japanese). Archived from the original on May 12, 2022. Retrieved June 25, 2022. ^ "TVアニメ「進撃の巨人」 The Final Season Original Soundtrack". Spotify.
I don’t think that even if you laughed at it the first time you would have enjoyed it by about the 5th time it got repeated in the very same scene. Besides this is also weird with Cid’s character, he doesn’t want to stand out and to be a mob character, but
then he goes and stands out again and again making this big clown show that obviously makes him stand out no matter if it is as the idiot that got beaten like a pulp. This is even more jarring to me because I later checked the manga, and while I still have a lot of issues with it, its tone and presentation was a lot better than here in the anime, making me wonder why the hell is the anime trying to be so serious when the source material embraced being absurd, as this adaptation is honestly so somber the times they do attempt a joke, it just sticks out like a sore thumb.
Shadow Garden are a bunch of non-characters, it’s like they don’t exist, they aren’t people, they are plot devices that help Cid do whatever, from gathering information from who knows where to being stupidly strong for the sake of being strong. Like I cannot even remember who most of them are, I can remember Alpha since she had screen time alone and we learned some stuff about her, then like 10 episodes later I could recognize who was Beta since she got an actual character across those episodes, even if ironically Alpha lost her time in the limelight at the same time. But my problem with
these girls is not remembering their names, Greek letters aren’t something difficult to remember and I’m guessing that’s why the author didn’t bother to give them actual names, it’s these girls are complete non-characters, sometimes when they appear again I wouldn’t know who they are if they weren’t wearing those outfits everyone in Shadow Garden wear, after all, they aren’t characters I can recognize because they aren’t written to be recognizable, I couldn’t even tell which hair color each of them has or a single personality trait, there’s nothing memorable at all about them because they are never used as anything but a plot device galore.
This version of Frankenstein is less the mastermind behind the monster and more of a monster himself, reminiscent of Marvel's Incredible Hulk in sheer physical might. RELATED: 10 Best Paranormal Romances In Anime, Ranked Carmilla the Vampiress: Mistress of Seduction In the vast realm vampire lore, few characters shine as evocatively as Carmilla. Penned by
Joseph Sheridan Le Fanu, Carmilla precedes Bram Stoker's Dracula and is often cited as one of the earliest works of vampire fiction. Set in the eerie backdrop of Syria, the story follows a beguiling female vampire who becomes
infatuated with the tale's young protagonist, Laura. Through Carmilla, Le Fanu explores the dual nature of his vampire – both predatory and seductive. This enigmatic figure, with her bewitching beauty and unsettling tendencies, has since become a staple of gothic literature.
