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S. Monthly Bookscan November List". Anime News Network. Archived from the original on December 3, 2023. Retrieved December 3, 2023. December 2023: Hazra, Adriana (January 13, 2024). "Chainsaw Man Ranks #1 on U. S. Monthly Bookscan December List". Anime News Network. Archived from the original on January 13, 2024.

[41][42] Video games[edit] A video game titled Tokyo Ghoul: Carnaval ∫ Color by Bandai Namco Games was released in Japan for Android smartphones on February 6, 2015,[43] and on February 9 for iOS. [44] The player builds a team from a number of ghoul and investigator characters and explores a 3D map. [45] Another video game titled Tokyo Ghoul: Jail for the PlayStation Vita console was released on October 1, 2015. It is set to introduce a new protagonist by the name of Rio, who will interact with characters from the manga/anime. The game was developed by Bandai Namco Games as well and is categorized as an adventure RPG where players will be able to explore Tokyo's 23 wards. [46] The mobile game Tokyo Ghoul: Dark War focuses on the conflict between ghouls and the CCG that terrorizes the city of Tokyo.

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But let’s give credit where it’s due: Saekano isn’t complete trash. I would probably be more forgiving of the show if it were: it’s easier to let go of a show that’s a total failure than a show that flubbed with its great ideas. There are two things that Saekano did well in portraying: the relationship between consumer and creator, and the character of Katou Megumi. Let’s start with the former.
Episode 6 of Saekano is the first episode where I thought the show was being genuine. The episode frames Utaha as the creator and Tomoya the consumer, and the show asks: how far should an author go to in trying to please their readers? And I feel that the show gave a good answer to the question: fans want something that the creator wrote, not something that would go with their expectations. The framing of the scene was even reminiscent of White Album 2: two high school kids throwing their emotions at each other under the snow might be a clichéd scene, but if there’s anyone who can make it work, it’s Fumiaki Maruto.
Episode 9 is another good episode that gave Eriri much-needed characterization past her generic tsundere shtick. This time, the show asks why a creator, well, creates works for fans – for whose sake are they putting out content? Again, the show frames this question with Tomoya as the consumer and Eriri as the creator: does Eriri draw so she can get better for her fans, or does she just draw to satisfy herself and stay where she is? Eriri finds her foot forward when she decides to get better at drawing to win over Tomoya and satisfy her fans. The show doesn’t give a complete answer, but it gave her character a push forward.