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With the "keystone" released, the evil within the other universe can now freely escape and wreak havoc throughout Japan. Intending to correct her dangerous mistake, Suzume joins Souta—whose true goal is to prevent evil from festering—in finding and locking all open doors before the country is destroyed.
[Written by MAL Rewrite]EditBackgroundThe film had its first preview screening in IMAX on November 7, 2022. Suzume no Tojimari was nominated for Best Animated Feature Film at the 81st Golden Globe Awards.
But like everything else that the show highlights unnecessarily, this parallel drawn was also made blatantly obvious, with Ram and Rem's hair color being pink and blue, which obviously alluded to the red and blue ogres, respectively. This wouldn't have been a big deal had they kept it at just that, but like I've already stated, the show doesn't trust its audience to pick up on the subtext implied. Instead, we get the arc with the inclusion of both sisters being superimposed with a symmetrical balance of pink and blue at every turn. It beats you over the head with the symbolism it's trying to present. This also included Suburu stating to the sisters that they're “fanatical like demons” with their reactions indicative to their origin as literal demons. It's this kind of obviousness that shows like Erased demonstrate when they highlighted everything in red to insinuate danger. Attempts at cleverness that's just painfully juvenile. And now this same kind of forcefulness is being carried over to Re:Zero.
And 17-minutes into episode 11, Suburu states, "You know, Rem, you keep putting Ram on a pedestal and undermining yourself—," while the camera unapologetically focuses on blue and pink flowers, both literally sitting in a vase (pedestal) of equal height. These are the kinds of things that Re:Zero does repeatedly that demonstrate its lack of restraint. Constantly drawing attention to your symbolism only defeats the purpose of it, to begin with.