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There are two things that Saekano did well in portraying: the relationship between consumer and creator, and the character of Katou Megumi. Let’s start with the former.
Episode 6 of Saekano is the first episode where I thought the show was being genuine. The episode frames Utaha as the creator and Tomoya the consumer, and the show asks: how far should an author go to in trying to please their readers? And I feel that the show gave a good answer to the question: fans want something that the creator wrote, not something that would go with their expectations. The framing of the scene was even reminiscent of White Album 2: two high school kids throwing their emotions at each other under the snow might be a clichéd scene, but if there’s anyone who can make it work, it’s Fumiaki Maruto.
Episode 9 is another good episode that gave Eriri much-needed characterization past her generic tsundere shtick. This time, the show asks why a creator, well, creates works for fans – for whose sake are they putting out content? Again, the show frames this question with Tomoya as the consumer and Eriri as the creator: does Eriri draw so she can get better for her fans, or does she just draw to satisfy herself and stay where she is? Eriri finds her foot forward when she decides to get better at drawing to win over Tomoya and satisfy her fans. The show doesn’t give a complete answer, but it gave her character a push forward.
Ultimately, I think Saekano’s best point was Katou Megumi’s character: the deadpan non-otaku who joins the group as the “main heroine”. There’s no mistaking that the title’s “boring heroine” refers to Katou: the show keeps referring to her as having “no character” and a “half-assed personality”. On the contrary, her character doesn’t conform to the show’s pre-established archetypes: even though she doesn’t stand out within the show, Katou is perhaps the most memorable character because she’s not a generic archetype.

Archived from the original on August 30, 2021. Retrieved August 30, 2021. ^ 教科書検定結果公表 「鬼滅の刃」やヒゲダン「Pretender」など掲載も (in Japanese). Nippon News Network via Yahoo! Japan. March 29, 2022. Archived from the original on March 29, 2022. Retrieved March 29, 2022. ^ a b c d Davidson, Danica (November 27, 2020). "Chainsaw Man Has Hacking, Slashing — and Some Heart". Otaku USA. Archived from the original on November 27, 2020.

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The art and music can be described in one word: WOW! The art drawings were absolutely stunning! From the characters/titans to the setting of the story to all the equipment used in battle. The characters all had a unique aspect to them. The settings of the anime were beautiful. The cities, and walls looked realistic, the plains that characters dreamed of seeing made me want to run outside to see for myself how beautiful nature really is, and how humans under appreciate the naturality of nature. The 3-D gear was something that really caught my eye, and will certainly catch other people's eyes as well. A new form of action that's never been seen before. The characters would literally fly from rooftop to rooftop slicing their swords at the titans at high-speeds that keep the viewers eyes locked onto the screen at all times. The soundtrack in the anime was epic as shit. The openings speak for themselves, they do the anime justice. The openings were epic and certainly set the mood of what was to come from the anime. "They're the prey, and we are the hunters!" The rest of the soundtrack in the anime was okayasgduyasgda AMAZING. ^ Hodgkins, Crystalyn (November 15, 2020). "Fujifabric, Hatena Perform Theme Songs for Dr. Stone: Stone Wars Anime". Anime News Network. Archived from the original on February 15, 2021. Retrieved November 15, 2020.