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Anime News Network. May 12, 2004. Archived
from the
original on
April 22, 2008. Retrieved April 8, 2008. ^ Luther, Katherine. "Best Animation". About. com. Archived from the original on July 20, 2008. Retrieved July 2, 2009. ^ Luther, Katherine.
Animesque art is a case of a 'full-circle' evolution, because the Japanese anime style was inspired by classical American theatrical animation of the 1930s and 1940s. For example, the big eyes of anime characters were taken straight from such works as Bambi and the old
Fleischer shorts — think Betty Boop. The father of manga himself, Osamu Tezuka, was mainly inspired by the style of Carl Barks. This style was pretty prevalent in the early 2000s due to the international rise of the anime boom in media, with many
following the trend. Nowadays, not so much, now that anime is pretty commonplace, though still a design choice for some. Note that this is about a work's art style, not its storytelling. Super-Trope to Anime Opening Parody. Compare Disneyesque. See also OEL Manga and Fanime. Straight Examples open/close all folders Advertising The Metro Manners series of PSAs are live-action, but the whole concept toes the line between Affectionate Parody and wholehearted embrace of anime tropes. The videos feature a Magical Girl/Henshin Hero protagonist who fights monsters representing rude transit behavior, with lots of Gratuitous Japanese.
According to Igarashi, the developers did this since Count Dracula is not always the main antagonist. [83] This continued
with Castlevania: Lament of Innocence (2003), a 3D title developed as a new starting point for the series. [84] Konami eventually returned to the title Akumajō Dracula with the Japanese release of 2005's Castlevania: Dawn of Sorrow for the Nintendo DS. Dawn of Sorrow and Portrait of Ruin (2006) introduced a new art style in hopes of broadening the player demographic and preventing younger Nintendo DS owners from being put off by Ayami Kojima's art. This discontinued with Castlevania: Order of Ecclesia in 2008. [85] Due to concern over the poor sales of the recent Castlevania games,[86] a number of prototypes in development competed to become the next Castlevania installment, which included a game by Igarashi
announced at Tokyo Game Show 2008 and Castlevania: Lords of Shadow by Spanish studio MercurySteam. [87] Konami told MercurySteam the game would be an original intellectual property (IP) when it was first greenlit as a Castlevania title. [88] Konami eventually asked them to cease work on Lords of Shadow while it was still in its early stages, until producer David Cox showed the Japanese senior management the game and was offered help by video game designer Hideo Kojima. [89] According to Igarashi, development on his project had not been going smoothly, and Konami had canceled it and chose Lords of Shadow as the pitch for the next Castlevania entry. [87] Produced by Dave Cox and Hideo Kojima, Lords of Shadow was a multi-platform 3D action-adventure reboot of the series. [90] Kojima offered his input on the project and also oversaw the game's localization in Japan.
