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Sawada tells Satoru about the last phone call he received from Sachiko, in which she claimed to know who the true kidnapper was but was unable to tell him before she was killed. He also explains the reported details surrounding Kayo's death, noticing Yuuki's framing matches with another kidnapping incident in a nearby town and deducing the true kidnapper was the one who killed Sachiko. While Satoru looks up Sawada's findings on the kidnapping incident, including a list of previous suspects, Sawada goes to the hospital to meet with Airi, only to discover that her mother has swapped places with her so she can prove Satoru's innocence. Airi meets with Satoru, informing him of a mysterious man named Nishizono who may have been responsible for the fire, but the police arrive and arrest Satoru. As he is taken away, Satoru spots the man he saw leaving his apartment on the night of his own mother's murder. 7"Out of Control"
Transliteration: "Bōsō" (Japanese: 暴走)Toshimasa IshiiYutaka YasunagaFebruary 19, 2016 (2016-02-19)[46] Determined not to let things end the way it is, Satoru successfully triggers his Revival through sheer willpower, returning him to February 28, 1988. During school the next day, Kenya confronts Satoru about Kayo's situation at home, admitting that he has known for a while now about the domestic violence, and offers his assistance. Following the birthday party on March 2, Satoru throws a rock through Yuuki's window to bring about the police, providing Yuuki with an alibi for his whereabouts. Afterward, Satoru seeks out Akemi and comes close to pushing her down some stairs, but is stopped by Kenya, who convinces him to choose a different course of action. Instead, Satoru decides to "abduct" Kayo with her permission, taking her to an abandoned bus to hide out for a few days until she is confirmed to be safe. On the night of March 3, however, an unknown intruder enters the bus while Kayo is sleeping.

3917/ling. 471. 0037. JSTOR 41447858. ^ a b Matsuda, Kenjiro (1 September 2012). "What Happened to the Honorifics in a Local Japanese Dialect in 55 years: A Report from the Okazaki Survey on Honorifics".

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Sentai Filmworks licensed the series in 2021 after Viz Media lost its rights.
Nana inspired a couple of tribute albums, the most notable of them being "Love for Nana - Only 1 Tribute," which was released by EMI Music Japan on March 16, 2005. Visit MALxJapan MALxJapan -More than just anime- Your guide to 2024's Must-Read Manga is here 📖 Learn how to draw anime & manga from Japanese pros🎨 Answer the Anime & Manga Survey to help shape the future of streaming EditRelated AnimeAdaptation:NanaSummary:Nana Recaps
More charactersCharacters & Voice Actors Osaki, Nana Main Park, Romi
Japanese Komatsu, Nana Main Kawana, Midori
Japanese Okazaki, Shinichi Supporting Ishida, Akira
Japanese Takagi, Yasushi Supporting Kawahara, Yoshihisa
Japanese Terashima, Nobuo Supporting Seki, Tomokazu
Japanese Honjou, Ren Supporting Kiuchi, Hidenobu
Japanese Ichinose, Takumi Supporting Morikawa, Toshiyuki
Japanese Serizawa, Layla Supporting Hirano, Aya
Japanese Shinoda, Miu Supporting Chiba, Saeko
Japanese Saotome, Junko Supporting Honda, Takako
Japanese
More staff Staff Maruyama, Masao Producer Tamura, Manabu Producer Nakatani, Toshio Producer Kobayashi, Mikiko Assistant Producer
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music 1: "Rose" by Anna inspi' Nana ~Black Stones~ (eps 1-21) 2: "Wish" by Olivia inspi' Reira ~Trapnest~ (eps 22-36) 3: "Lucy" by Tsuchiya, Anna inspi' Nana ~Black Stones~ (eps 37-47) Edit Ending Theme 1: "A Little Pain" by Olivia inspi' Reira ~Trapnest~ (eps 01-08, 10-18, 41 (for TV broadcast)) 2: "Rose" by Anna inspi' Nana ~Black Stones~ (eps 9 (for TV broadcast and DVD)) 3: "Starless Night" by Olivia inspi' Reira ~Trapnest~ (eps 19-29, 42 (for TV broadcast), DVD: eps 01-08, 10-29, 41-42) 4: "Kuroi Namida" by Anna inspi' Nana ~Black Stones~ (eps 30-40, 47 (for TV broadcast and DVD)) 5: "Winter Sleep" by Olivia inspi' Reira ~Trapnest~ (eps 43-44 (for TV broadcast and DVD)) 6: "Stand By Me" by Tsuchiya, Anna inspi' Nana ~Black Stones~ (eps 45-46 (for TV broadcast and DVD))
Reviews Write review 240 Recommended 14 Mixed Feelings 8 Not Recommended All reviews (262) Jan 24, 2010 Licorice Recommended "Say, Nana. Do you remember the first time we met?"
These words are the introduction of the beautiful world of "Nana". Ai Yazawa is probably the most convincing shoujo manga writer ever. With colourful, realistic characters, breathtaking events and just a pinch of music she creates a world in witch every girl can forget about reality and fall into the embrace of romantic fantasies.
One of the best things about "Nana" are the characters - we can actually see the reflection of ourselves in some of them and believe, that someone like that can really exist. This is proof that you can make a good anime . In his 2007 book Manga: The Complete Guide, Jason Thompson described its storyline as "an almost random collection of psych-outs, battles, puzzles, and trickery" that works on both a chapter-by-chapter basis and a larger scale. Thompson elaborated that with all the goals and subplots of each of the main characters, the story could seemingly go on forever and is unpredictable enough to hold reader interest. [21] In a different review for Anime News Network in 2012, Thompson wrote that it was hard to summarize the story because "it is every shōnen manga in one, with training sequences, tournament battles, a crime-mystery story arc, and a virtual-reality, RPG-style story arc". But unlike most shōnen manga, he called Hunter × Hunter "incredibly dense. " Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels.