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Archived from the original on September 25, 2023. Retrieved September 11, 2023. ^ Hodgkins, Crystalyn (March 17, 2023). "Dead Mount Death Play Anime's 2nd Promo Video Reveals April 10 Premiere". Anime News Network. Archived from the original on June 29, 2023. Retrieved June 29, 2023. ^ アニメ「葬送のフリーレン」は日本テレビの新アニメ枠で、主題歌はYOASOBI&milet. Comic Natalie (in Japanese). Natasha, Inc. September 1, 2023.

[8][77] Reception[edit] The light novel won the Grand Prize at the 23rd Dengeki Novel Prize award in 2016. [3] The light novel also ranked second in 2018 in Takarajimasha's annual light novel guide book Kono Light Novel ga Sugoi!, in the bunkobon category. [78] It ranked fifth in 2019. [79] Joe Ballard of Comic Book Resources noted the light novel's critical acclaim and called it "a movingly honest portrayal of war, drama, the supernatural, and the shockingly discriminatory views of a nation's general public, 86-Eighty-Six is anything but your standard light novel series. "[80] UK Anime News praised the first volume of the light novel, calling it thought-provoking, emotional and incredibly difficult to put down. "[81] The Fandom Post found the first volume "not particularly groundbreaking", but was impressed by the subversion of the "bloodless war" theme and found the development of the plot and characters "quite solid. "[82] IGN listed the show as one of the best anime of 2021. [83] Multiple writers from Anime News Network listed the anime's first season as one of their favorite series from spring 2021,[84] with Steve Jones also naming the second season as his most anticipated for fall 2021. [85] The Fandom Post gave the show an A−, noting that although the first episode felt stiff and full of "technobabble", the show found its footing by episode two. [86] At the close of season one, the site praised the show's stellar production value, solid animation and music, and beautiful conveyance of its themes. [87] Callum May's review for Anime News Network also noted the series' improvement by episode two, describing the first few episodes as "surprisingly gripping",[88] and offered specific praise for the show's directing, storyboarding, and animation.

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^ 「すずめの戸締まり」入場者プレゼント第2弾は「新海誠本2」、12月3日より配布. Comic Natalie (in Japanese). Natasha, Inc. November 28, 2022. Archived from the original on December 12, 2022. Retrieved December 12, 2022. ^ 「すずめの戸締まり」芹澤にスポット当てた小説が入場者プレゼントに、1月28日から配布. Comic Natalie (in Japanese). Natasha, Inc. January 19, 2023. Archived from the original on January 19, 2023. The individual monsters of this show don’t work and don’t get expanded on. When you lean into that supernatural realm without actually doing anything meaningful with it–Or when they don’t iron out properties of these supernatural concepts like in the case of Blue Lock, it just becomes nonsensical mumbo jumbo. You have no limit defining, everything just ends up feeling so pulled out of the hat for convenience sake. It’s also those flaming eyes when the monsters come out or when they enter “serious mode” that are so badly animated for some of these scenes. They all start to look like Endeavor from MHA to me and it’s admittedly hysterical. But from a non-biased critiquing standpoint, it’s abhorrent.
This menagerie known as the Blue Lock facility also feels so barren and boring. There needs to be an incentive to make this program feel rewarding where players should want to stay here because they’re becoming their best selves. Be it, superior practicing methods, state of the art training equipment, illustrious coaching instructors, you name it. But Blue Lock doesn't have any of this. It just feels like a death trap that unbeknownst to each of the players before they join, if they get knocked out they can never play for the Japanese national team.