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[86] A third stage play adaptation, titled Mob Psycho 100 ~Crash! Tsume's 7th Branch~ (モブサイコ100 〜激突! 爪 台ー7 支部〜, Mob Psycho 100 ~Gekitotsu! Tsume Dai-7 Shibu~), ran in Tokyo's Hulic Hall from August 6–15, 2021, with the cast and staff reprise their roles from the previous stage plays. [87] Drama CD[edit] A drama CD, titled "Psychic Human Show," was released on January 25, 2017. This CD includes 15 tracks written by creator One and director Yuzuru Tachikawa. It includes humorous skits, character songs, and talking songs. The jacket illustration was drawn by the anime series character designer and animator Yoshimichi Kameda [ja]. [88][89] No.

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This is simply because these skills require a hold to the ball and the crowd starts to notice him because of this. This is the main reason Akashi didn't teach him how to shoot. Kuroko diverts the attention away from him, to another player and to the ballKuroko stealing Kasamatsu's ball using his misdirectionKuroko must make eye-contact in order to use Misdirection Invisible Pass Kuroko's Invisible Pass Following from his misdirection, Kuroko uses himself as a relay for passes and redirects the ball to another player by just gently touching it. He receives the ball from another player and immediately changes its course to a free player. This pass is very hard to predict and almost always leads to a basket. The true form of this pass, according to Midorima, is a tap pass, which allows Kuroko to change direction of the ball without touching the ball for a long period. This is the only type of pass that works well with his misdirection because of minimum contact with the ball. Ignite Pass Kuroko's Ignite Pass As an extension of his regular pass, Kuroko can also move the ball even quicker. He only does this if his imperceptible pass can be intercepted at some point. When he receives the ball, he punches it directly to a free player. This way, the force behind the pass will increase greatly and the ball will move much faster. They could've fleshed out the characters first, then give us the practice match. BUT! They suddenly shove in the Inter-High prelims down my throat.
The sudden introductions of opponents and characters is super rushed that I don't get time to memorize who is who. And the biggest sucker punch are the "training arcs". Sports animes need training arcs in order for the viewers to see the characters' improvements, but KNB doesn't give as much as a drop of it. We only see like 30 mins of training, then they make these sick moves on the fly like why? Let's use Haikyuu again as a reference. In Haikyuu, you can clearly see the changes Hinata, Kageyama and the team made during their countless training moments and you can also see the sick moves they used in practice in their official games. In KNB, I'm not super amazed at how Kagami, Kuroko, or any other character for that matter can use these super moves in their official games, when I didn't see the process of how they arrived at that result. A key factor in sports animes is the process of their transformation. KNB had terrible pacing that those crucial training scenes were as good as nonexistent. Don't get me started on the KNB Last Game movie, that movie had terrible pacing.
The first single was nominated for Best New Artist at the 2004 MTV Video Music Awards, which made JoJo the youngest MTV Video Music Award nominee. [26] Her first album, the platinum-selling JoJo, was released in 2004, peaking at number four on the U. S. Billboard 200 and number ten on the Top R&B/Hip-Hop Albums, selling 95,000 copies in its first week and reaching the top forty of the UK Albums Chart. [25] In September 2004, JoJo released her second single, the gold-selling "Baby It's You". The single version of the song features rapper Bow Wow.