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- Miyamura, Koichi Shindo and Makio Tanihara (with a wild Hori on the side): the middle-school "Happy Three Friends" of a convoluted past. The reason why Miyamura is surfaced as a lonesome otaku geek at the beginning is because of Tanihara and his clique of friends who used to bully Miyamura for his ostracized looks, to the breaking point where what Miyamura once confided in was taken away from him, leading to the gloomy aspect. It's only through Shindo that Tanihara would come to start accepting Miyamura for who he is, with the heart talks between both cementing the reconciliation
years later. Other than that, Shindo is the casual butt of a joker, and with Hori adding into the equation only makes the S&M aesthetic look more prominent.
- The others who have significantly
less screentime: Shu Iura is the objectively loud airhead of a character whom is exactly
like Shindo, Honoka Sawada whom is seen as the detractor of the Horimiya relationship, and the Hori family of a beautiful, yet somehow kinda "broken" family (in particular to Best Dad Kyosuke).
Ideally I would want to paint this picture as someone whom has been in a relationship, but for the general audience, whether you're in one or not, Horimiya is as bare-bones as it can be, trading the romance aspect for its comedy of the Pareto Principle: 80% comedic slice-of-life, 20% romance.
“We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing.
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When Satoru regains consciousness, he discovers that he has reincarnated as a goop of slime in an unfamiliar realm. In doing so, he acquires newfound skills—notably, the
power to devour anything and mimic its appearance and abilities. He then stumbles upon the sealed Catastrophe-level monster "Storm Dragon" Veldora who had been sealed away for the past 300 years for devastating a town to ashes. Sympathetic to his predicament, Satoru befriends him, promising to assist in destroying the seal. In return, Veldora bestows upon him the name Rimuru Tempest to grant him divine protection. Now,
liberated from the mundanities of his past life, Rimuru embarks on a fresh journey with a distinct goal in mind.