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[54] Some of these subjects are seen in male-targeted works of this period as well,[55][56] sometimes in combination with other themes, including mecha and science fiction. [57][58] Examples include series such as Kannazuki no Miko (2004–2005), Blue Drop (2004–2008), and Kashimashi: Girl Meets Girl (2004–2007). In addition, male-targeted stories tend to make extensive use of moe and bishōjo characterizations. [59] The publication of yuri magazines had the effect of nurturing a "yuri culture" that influenced artists to create works depicting female same-sex relationships. [30] Further, articles in these magazines contributed to the history of the genre by retroactively labeling certain works as yuri, thus developing "a historical canon of the yuri genre. "[60] Specifically, Verena Maser notes in her analysis of issues of Yuri Shimai, Comic Yurihime, and Comic Yurihime S published from 2003 to 2012 that eight of the ten most-referenced series in the magazines predate the 2003 formalization of yuri as a publishing genre: Apurōzu - Kassai (1981–1985), Sakura no Sono (1985–1986), Sailor Moon (1992–1996), Cardcaptor Sakura (1996–2000), Revolutionary Girl Utena (1997–1999), Maria-sama ga Miteru (1998–2012), Loveless (2002–present), and Strawberry Marshmallow (2002–present).Kotaku. Archived from the original on September 20, 2022. Retrieved September 21, 2022. ^ Lynzee, Loveridge (September 20, 2022). "Crunchyroll to Recast Mob Psycho 100 III for Simuldub". Anime News Network.
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