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Usagi and her team discover that in their previous lives, they were members of the ancient Moon Kingdom in a period of time called the Silver Millennium. The Dark Kingdom waged war against them, destroying the Moon Kingdom. Its ruler Queen Serenity sent her daughter Princess Serenity, reincarnated as Usagi, along with her protectors the Sailor Guardians, their feline advisers Luna and Artemis, and the princess's true love Prince Endymion, who in turn was reborn as Mamoru. At the beginning of the second arc, the Sailor Guardians meet Usagi and Mamoru's future daughter Chibiusa, who arrives from a 30th-century version of Tokyo known as "Crystal Tokyo", which is ruled by Neo Queen Serenity, Usagi of the future and has been attacked by the group of villains known as the Black Moon Clan. During their journey, Sailor Moon and her friends meet Sailor Pluto, Guardian of the Time-Space Door. During the climactic battle of the arc, Sailor Pluto dies trying to save the sailor soldiers and Chibiusa was brainwashed by the enemy and turned into the Black Lady, but was eventually reformed and awakens as a Guardian herself—Sailor Chibi Moon.

30. Ippo was then beaten in the corner until the fifth match ended, with Yagi catching his fall with the chair, thanks to his chair skills. Ippo was instructed to touch Wally six times in the sixth round. In the sixth round, Ippo completed his goal of touching Wally six times, getting hit in the process many times. Ippo hit Wally's block with a punch that made him fly back to the corner. Ippo approached Wally at the corner and was hit, leaving Ippo barely hanging onto the ropes.

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[22] For Mori, the most challenging parts are the action scenes. He thinks it would look better with sound and movement, and that is why he thinks there is a significance to doing it in animation, which led to more effort on it. Also, since manga is black and white, he was conscious of adding color to the world in which they live, such as the landscape of ruins and the school, to make it look more attractive. As for Maru, he thinks he is very pure and does not know anything yet. Mori finds him attractive for how he does not strangely rubbed and it is bright. The director got the impression that Maru meets Kiruko from a place where he does not know his own past, and gradually gains an ego. On the other hand, Kiruko is in a complicated situation with Maru, and has a past that is too heavy for her to handle alone. As a result, he enjoys the two and thinks it is a mutually complementary relationship. [21] Tokio is seen as a pure adolescent-like character. She has a different kind of purity than Maru, and he gets the impression that Maru has managed to maintain his innocence even though he has been through a lot of hardships, but Tokio has lived without being exposed to external pressure. Mori think he is a character that symbolizes the interest and disgust of various things that are born in adolescence. The openings, ending and other two themes were collected into the CD soundtrack The Best of TV Animation Slam Dunk, released on July 21, 2003. Films[] Four films were produced by Toei Animation from 1994 to 1995 while the manga and TV series were still running. They contain largely new material that is either only hinted at or is not presented in the manga. From August 1 to 4, 2006, NHK broadcast all four movies as part of its satellite networks NHK BS-2's Summer Anime Choice line-up, and TV Osaka aired the last three movies from January 3 to 8, 2007. All the films were collected into a DVD box named Slam Dunk The Movie which was released on December 10, 2004. The first film, simply titled Slam Dunk, premiered on March 12, 1994.