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Two games came out of this effort: 1989's Baseball Stars and 1990's Crystalis (known as God Slayer in Japan). Baseball Stars captivated players with its franchise-style hiring and trade features, which weren't yet common to sports games at that point in time, while Crystalis was the company's answer to Nintendo's Legend of Zelda. It was an adventure-based RPG with a large overworld, tough bosses, and gorgeous cinematic cutscenes. 1989 also marked the release of two new home video game consoles in North America: the 16-bit Sega Genesis and NEC's joint project with Hudson, the TurboGrafx-16. Nintendo followed suit with a new system of its own, the Super NES, in 1991. Rather than choose sides and become embroiled in the so-called system wars, SNK chose once again to refocus its efforts on the arcade market, leaving other third parties, such as Romstar and Takara, to license and port SNK's future properties to the various home consoles of the time. The engineers at SNK had an idea on their hands that would revolutionize the arcade industry and could potentially mean millions upon millions of dollars in revenue for the company. That idea, stated simply, was the NeoGeo. NeoGeo in Arcades, NeoGeo in Homes (1989-1994) Sometime in 1988 SNK began toying with the idea of a modular video game cabinet for use in an arcade setting. Up to that point, stand-up arcade cabinets typically contained only a single game. When an arcade operator wanted to switch or replace that game, he'd have to completely rip the guts out of the existing cabinet or exchange the entire setup, display and all, for another.

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org/w/index. php?title=Jūjika_no_Rokunin&oldid=1212530312" Categories: Manga series2020 mangaAnime and manga about revengeDrama anime and mangaJapanese webcomicsKodansha mangaPsychological thriller anime and mangaShōnen mangaWebcomics in printHidden categories: CS1 uses Japanese-language script (ja)CS1 Japanese-language sources (ja)Articles containing Japanese-language textCS1 French-language sources (fr)CS1 Italian-language sources (it)Articles with short descriptionShort description is different from WikidataWikipedia articles needing rewrite from June 2022All articles needing rewriteOfficial website not in WikidataArticles with Japanese-language sources (ja) This page was last edited on 8 March 2024, at 09:19 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License 4. 0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. , a non-profit organization. Privacy policy About Wikipedia Disclaimers Contact Wikipedia Code of Conduct Developers Statistics Cookie statement Mobile view Toggle limited content width JoJo's Bizarre Adventure - Wikipedia Jump to content Main menu Main menu move to sidebar hide Navigation Main pageContentsCurrent eventsRandom articleAbout WikipediaContact usDonate Contribute HelpLearn to editCommunity portalRecent changesUpload file Search Search Create account Log in Personal tools Create account Log in Pages for logged out editors learn more ContributionsTalk Contents move to sidebar hide (Top) 1Plot 2Production 3Media Toggle Media subsection 3. 1Manga 3. 1. 1Spin-offs 3. She later explained that the theme of the first season was "to tell a story about hunger. " Eun-hee further added that she wanted to "portray people who were mistreated by those in power struggling with starvation and poverty through the monsters". [44] Shifting to the second season, the theme of blood was explored to "tell a story about monsters who crave blood and humans who desire a particular bloodline and lineage. "[45] Later, Eun-hee noted that a future season of Kingdom will dabble in the exploration of resentment as a theme for the basis of the new story to be told. [46] After Netflix ordered the special episode Kingdom: Ashin of the North,[15] Eun-hee highlighted that the episode will mark an important bridge between the events of the first two seasons and the third season. In an interview, Eun-hee elucidated further on the reasoning behind the episode, stating that "I decided to go with a special episode because I thought it would be more interesting. We cannot leave out the story of the resurrection plant. " She further added that "If the first season served as the cornerstone of the show, Kingdom: Ashin of the North, will be a stepping stone for the third season of Kingdom. "[47] In an interview with The Philippine Star, Kim Eun-hee discussed the significance of exploring the concept of Han in the special episode. Whilst the creator began to delve into the idea through the creation of Ashin's character when writing the second season, Kim Eun-hee wanted to further examine the collective trauma, grief and resentment born from the experiences of tragedy in the special episode. The writer expressed her desire in depicting Han in the story, stating that "I always wanted to write a story about the feeling of Han.