masamune kun no revenge episode 13 solo leveling statue of god gif
01) 9 RE: February 4, 2017[17]978-4-04-104879-5September 18, 2018[29][30]978-1-975-30174-3 "RE: Kayo Hinazuki" "RE: Kenya Kobayashi, Part One" "RE: Kenya Kobayashi, Part Two" "RE: Sachiko Fujinuma" "RE: Airi Katagiri" Anime[edit] An anime television adaptation produced by A-1 Pictures aired on Fuji TV's Noitamina programming block from January 8 to March 25, 2016, and was simulcast on Crunchyroll, Daisuki, Funimation and AnimeLab. [31] The series was directed by Tomohiko Itō and written by Taku Kishimoto, with character design by Keigo Sasaki. The opening theme is "Re:Re:" by Asian Kung-Fu Generation, while the ending theme is "Sore wa Chiisana Hikari no Youna" (それは小さな光のような, "It's Like a Small Light") by Sayuri. [32][33] The series is licensed in North America by Aniplex of America, in Australia by Madman Entertainment, and in the United Kingdom by Anime Limited. [34][35] Aniplex of America announced that the series would receive an English dub in May 2016. [36] The series was simulcast in certain countries in Southeast Asia with English subtitles on Aniplus Asia and is available to stream on Iflix in Malaysia, Thailand, the Philippines, Indonesia, Sri Lanka and Brunei with English subtitles. [37] The series also streams on ITVX in the United Kingdom, with English dub only. [38] Episodes[edit] No. Title [a]Directed byWritten byOriginal air dateRef. 1"Flashing Before My Eyes"Transliteration: "Sōmatō" (Japanese: 走馬灯)Tomohiko ItōTaku KishimotoJanuary 8, 2016 (2016-01-08)[40] In the year 2006, Satoru Fujinuma is a 29-year-old struggling mangaka in Chiba who occasionally experiences a phenomenon he calls "Revival": When a fatal incident is about to occur near him, he is sent a few minutes back in time to prevent it via seeing a bright blue glowing butterfly. He uses this involuntary ability to save a boy from a runaway truck, though he is hospitalized for a few days as a result.
They did have an arc where Hyakkimaru had to deal with the shock of having ears again, forcing him to slowly and painfully adjust to the act of hearing. Had the series explored that concept with his other body parts and spaced them out better to allow for said exploration, I likely would have cared about Hyakkimaru a lot more. Sadly, at most, we get one-off lines about the differences in what he can do with his swords, only for him to still do the same things he always did, but with one less sword limb or with longer reach. Even worse, most of his developments after that point feel less gradual or tactile, and more “start and stop”. The worst examples are when in between episodes 12 and 13, he goes from barely uttering words to forming a complete sentence, or when in episode 20, he flips out due to a demon not granting him a body part back (an occurrence that has happened a few times by this point) and becomes a raging beast who wants his body and Dororo back during the final arc of the show before arbitrarily becoming more level-headed again in the finale.
Backtracking to the non-impact issue, in the fifth episode, Hyakkimaru finds himself being taken care of by someone who he ends up having an affection towards.