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get me started on the double standards of the return by death bullshit. Subaru is hailed as a protagonist who differs from other isekai protagonists by not being overpowered, and yet he has an OP power that nobody can counter. And if pain is a lot worse than death, which is why (supposed) he is not using it actively for resetting the plot every time he messes up, then why is he willingly ending himself? The big fuss everybody was yapping about during the first season was how painful it is every time he dies and therefore he does his best not to die. And here he is abusing that power by ending himself so he will not have to suffer through the negative consequences. It’s the definition of a copout.
And even then, why is he not ending himself every time he messes up? Sometimes he does, sometimes he doesn’t. It’s almost as if he never learns and has no specific mindset so that the author can use him however he likes instead of how he should be acting. Or, in a more sinister way, Subaru forgets to off himself so a lot of gratuitous and otherwise needless goreporn can fill half the episodes. There is a hilarious scene he gets eaten alive by bunnies. I repeat, bunnies! L O L, where did that come from? Oh well, it’s something new and completely changes the plot because time resets when Subaru dies. Something he couldn’t do himself by just killing himself.

The second fanbook and four other manga volumes were among the top 30 best-selling volumes. [163] According to ICv2, Demon Slayer: Kimetsu no Yaiba was the best-selling manga franchise for Q4 2021 (September–December) in the United States, and it was also the second "most efficient manga franchise" for retailer bookshelves, based on the website's calculations of which manga franchises had the highest sales per volume. [164] According to NPD BookScan, two manga volumes of Demon Slayer: Kimetsu no Yaiba were ranked among the top 20 adult graphic novels list in 2020;[165] four volumes were among the top 20 highest-selling manga volumes in 2021;[166] three volumes and Stories of Water and Flame were among the top 20 highest-selling manga volumes in 2022;[167] its first volume was the best-selling manga series in 2023, with the second volume also featured on the top 20 highest-selling manga volumes. [168] By May 2021, the Viz Media edition had over 4 million copies in circulation. [169] Critical reception Before its anime series adaptation, Nicholas Dupree of Anime News Network included the series on his list of "The Most Underrated Shonen Jump Manga", and wrote: "Kimetsu is still arguably an oddity in Jump, but it's firmly established its style that's certainly worth looking out for. "[170] Rebecca Silverman of the same website ranked the first volume as a B−.

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" Amy McNulty gave it a 2. 5 rating and also praised Itagaki's art, but felt the character designs were not particularly memorable. She also wrote that the volume "succeeds in identifying the stakes, but it completely fails in anchoring the reader with characters to care about. " Rebecca Silverman and Teresa Navarro both gave it a 2 and noted its status as a "set-up book," with each new character introduced in the same manner. Both Hopper and Silverman said that Baki reminded them of JoJo's Bizarre Adventure. [50] Reviewing the first 24 episodes of the 2001 anime, Mark Thomas of Mania Entertainment gave it a B− rating, stating that fans of shōnen and fight series would enjoy it, but others should look elsewhere. He felt it had plenty of good, realistic fight scenes, but fell short on the story. Explaining that despite a lot of story arcs, it ultimately feels like a setup for the second season. [51] Thomas gave the same rating to the final 24 episodes, and "mildly recommended" the series. While he started to enjoy this set more thanks to its more action focus, he stated that not showing Baki's final fight with Yujiro, which was built up the entire show, really ruined it for him. [52] The 2012 comedy film Graffreeter Toki is based on the March 2011 play of the same name, which in turn was inspired by Grappler Baki. Ippo explained to Milo about McCallum's background, and how one can tell who will win a match the moment they throw their first swing, with a boxer's shadowboxing being able to give a hint. After being shocked at seeing McCallum's sharp punches in his shadowboxing and how McCallum is not showing any fear towards Ricardo, Ippo became worried that Ricardo could be in trouble. Ippo was breath taken from seeing Ricardo's perfectly natural stance and even more breath taken that McCallum is fearless next to Ricardo with his guard down in a Detroit Style stance, explaining the style to Milo. As Ippo watched Ricardo being unusually offensive in the first round, he was confused and wondered why Ricardo is acting like that. While seeing Ricardo land hits on McCallum after breaking his guard, Ippo thought that it must feel lonely not having anyone to be able to draw out his true abilities and strength. After Ricardo defeated McCallum by knockout in the first round, Ippo realised how he grows because of the opponents he fights while Ricardo has never experienced it due to having trivial matches. He at first thought it would be lonely, however, he remembered when Takamura told him that the view isn't lonely, but extraordinary, wondering what view Ricardo sees. Ippo began to leave the audience area with Milo to group up with Sendō for the victory party. Ippo on a plane, leaving Mexico. Later, Ippo, Sendō and his group, and the Scamaras Brothers arrive to Mexico's airport. Sendō gloated to Ippo on how he won by knockout against Alfredo, who defeated Ippo by knockout, implying that he is stronger than Ippo.