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I really wanted more from this anime, but I can only give it 6 Yesod shards out of 10. Reviewer’s Rating: 6 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Chief_AJ (45) Show allRead moreShow lessOpen Gift Report Sep 29, 2022 Mcsuper Not Recommended It’s been a season of long-awaited sequels, with Classroom of the Elite Season 2, and Overlord Season 4 coming back after 5 years and 4 years respectively, and for this show, IT HAS BEEN 9 WHOLE YEARS since Season 1. It’s great that highly respected titles in the anime community are making a comeback after years of waiting, and that might inspire future sequels to come, for shows like No Game No Life, or Land of the Lustrous for example.
The Devil is a Part-Timer was a top-tier isekai I watched perhaps a year ago for the first time. It had a solid premise, good comedy, .

^ Hinckley, David (August 8, 2008). "'True Confessions of a Hollywood Starlet' unrealistic but fun". Daily News. New York. Retrieved January 18, 2014. ^ "Talking about the Record Drama".

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"Japanese Animation TV Ranking, January 24–30". Anime News Network. Retrieved December 17, 2022. Episode 43: Pineda, Rafael Antonio (February 12, 2022). "Japanese Animation TV Ranking, January 31–February 6". Anime News Network. Archived from the original on November 18, 2022. Retrieved November 23, 2022. ^ Sundar, Gautam (April 21, 2023). "Makoto Shinkai explores love and loss in breathless road trip anime". The Hindu. Like, the word "farce" has an actual meaning, and there is nothing in the show that fits it, it is not a farcical show, using this word for the name is just pretentiousness.
The only well-made part of the story is the banter between the protagonists (which is the single easiest step of the formula to imitate, even Bunny Girl Senpai had decent banter). Outside of banter, the writing is subpar. Including, but not limited to:
The characters aren’t developed and act nonsensically at times, like when an entire family barely flinches in response to their relative getting killed after being revealed as a murderer.
The dialogue often exists to dump plot points on the audience with no regard for how natural it is to actually say those things at the moment.
Old-timey murder mystery cliches, like telling a person’s entire life story based on the stains on their clothes, are mindlessly reproduced without anything meaningful done with them.