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Archived from the original on 1 July 2017. Retrieved 1 June 2017. ^ "Boruto Vol. #01 Manga Review". The Fandom Post. 19 May 2017. Archived from the original on 20 August 2017. Retrieved 1 June 2017. ^ "Boruto: Naruto Next Generations Volume 1 manga review". Comic Book Bin. 3 April 2017.

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"[73] The imagery in Akira, together with that of Blade Runner, formed the blueprint for similar Japanese works of a dystopian nature of the late 1990s, such as Ghost in the Shell and Armitage III. [24] Yamada also said that "Otomo jacked into his generation's frustration with society, in the wake of the defeat of Japan's liberal student movement, and created an epic that, in true Japanese fashion, processed societal trauma through cataclysmic visual symbolism. "[72] Writing for The Japan Times, Matt Schley said "For many readers, Akira was a revelation. Each panel features a head-spinning amount of detail, and Otomo, an avowed film buff, keeps things moving at a breathless, cinematic pace. "[72] In her book The Fantastic in Japanese Literature, Susan J. Napier described the work as a "no holds barred enjoyment of fluidity and chaos". [74] Akira cemented Otomo's reputation and the success of the animated adaptation allowed him to concentrate on film rather than the manga form in which his career began. [6] Katherine Dacey of MangaBookshelf called Akira one of manga's "greatest sci-fi epics. "[75] She also noted how Tetsuo and Kaneda seem like real teenage boys in the manga, not generic action figures like in the film's "grossly" simplified depiction of their relationship. Although stating that Akira's plot was still as topical as ever in the year 2009, Dacey felt that the art had not aged as gracefully. [75] In his reviews of the first three volumes of Akira, Mark Pellegrini of AIPT Comics strongly praised Otomo's art as "simple, but very lively" and called him a master at drawing architecture. Viz Media. December 2007. p. 198. ^ Aoki, Deb. "Interview: Jason Thompson: Manga Editor and Author of Manga: The Complete Guide".