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Retrieved September 4, 2015. ^ Fiore, Raymond (June 28, 2004). "Jojo". Entertainment Weekly. Retrieved September 4, 2015. ^ a b Morgan, Emma (September 13, 2004).

His nickname comes from an incorrect reading of the kanji in his real name, Hattori (服部). Due to this, he is frequently seen wearing a mask of the titular character of the manga series Ninja Hattori-kun, both as a child and when acting as Friend. In 1972, he was recruited by Manjome to show his spoon bending talent on TV, but the two were labelled frauds and Fukubei vowed to have revenge by conquering the world and destroying humanity. [14] He begins to enact his plan for revenge in 1980 when he reunites with Manjome and creates "Friend". [14] While helping Kenji on Bloody New Year's Eve, Fukubei appears to die by falling off a building while unmasking a guy who appears to be Friend controlling the giant robot. But he later reveals himself to Kenji as the true identity of Friend, Kanna's biological father and an extremely unbalanced man who nurtured a pathological envy of Kenji since their childhood and delusions of grandeur. A megalomaniac primarily motivated by a desire to live out childish fantasies of being recognized as a hero and to take revenge on the world for not recognizing his exceptionalism, Fukubei is an charismatic leader who explores people's need to believe in something greater than themselves in order to fake a series of supernatural powers (in reality, only stage magic tricks) and pose as a superhuman prophet. He seduced Kanna's mother in order to enlist her help in developing vaccines for the viruses he has Yamane create. Fukubei is shot dead by Yamane in the middle of the series on New Years Day 2015. In the kanzenban edition of the series, which has a different ending, Kenji realizes that Fukubei died after elementary school graduation and Katsumata learned everything about him to imitate him perfectly and take on his identity as a child. [13] In the live-action film series, his full name is given as Tetsuya Hattori (服部 哲也, Hattori Tetsuya).

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02 "The World's Strongest Team" September 20, 1996 September 1, 1998 Raditz has kidnapped Gohan, and unless Goku agrees to join the sinister Saiyan, he may never see his son again! All hope is not lost, however, as a second visitor arrives, and Goku forges an unlikely alliance! 03 "Gohan's Hidden Powers" September 27, 1996 September 2, 1998 Piccolo may have a way to stop Raditz - the Special Beam Cannon! There’s only one problem. He needs time to gather energy for the blast, which means Goku must fight Raditz alone! Gohan unleashes a mighty attack that not even Radtiz can resist! But as quickly as his power appears, it vanishes. When Raditz prepares to strike back, Goku must make the ultimate sacrifice to save his son! 04 "Goku's Unusual Journey" October 4, 1996 September 3, 1998 Piccolo takes Gohan into the wild for a harsh training program. Meanwhile, Goku embarks on a new adventure in the next world, as he travels the endless Snake Way to reach the legendary King Kai! 05 "Gohan's Metamorphosis" October 11, 1996 September 4, 1998 Gohan begins his first day of Piccolo’s training. Alone in the wilderness, he must quickly learn to take care of himself. But that isn’t easy when he’s tired, hungry - and being chased by bloodthirsty dinosaurs! Korin wants Krillin, Yamcha, Tien, and Chiaotzu to report for special training! Meanwhile, Gohan’s grueling training causes him to undergo a shocking transformation! 06 "Gohan Makes a Friend" October 18, 1996 September 7, 1998 To escape a pack of wild animals, Gohan ventures into an ancient cave, where he meets an old Capsule Corp robot. The robot has lived alone in the cave for over 30 years, and he’s not happy to have visitors! Gohan’s wilderness adventure continues, as he makes a new dinosaur friend! He’s happy to finally have some company until he’s harshly reminded that not all dinosaurs are friendly! 07 "Trouble on Arlia" October 25, 1996 September 8, 1998 On planet Arlia, Vegeta and Nappa become prisoners of the tyrant king who rules the planet. After a brief scuffle with the monster Yeddy, the Arlians realize that the two Saiyans are more than they can handle. 08 "Home For Infinite Losers" November 1, 1996 September 9, 1998 Gohan spends his day tormenting a T-Rex. Across the planet, Tien and Chiaotzu find their training interrupted by Launch. Meanwhile, Goku tries to find King Kai on Snake Way and encounters two giant ogres who want nothing more than to use the hero as a play toy! If he can defeat their challenges, the ogres vow to show him the way back to Snake Way. " Fagaly commented about the arc protagonist, Jill, and her hopeful words at the end of that story, further adding: "I have never seen another Shonen or Shojo express this notion with the same audacity, depth, and idiosyncrasy as Berserk. "[228] Carl Kimlinger, writing for ANN, in his review of the thirty-fifth volume, compared Guts' "monster-plagued" trip to Elfhelm to the fantasy tales of Robert E. Howard and, in comparing the volume to the previous ones, he wrote that series dropped down a notch, although he stated that it was not a "disastrous drop," but "just the series falling back into a comfortable, classical adventure mode. "[229] Brittany Vincent of Otaku USA said: "Berserk is undoubtedly one of the most unique and engaging Western-style fantasies of all time. "[90] Writing for Syfy Wire, Eric Frederiksen said: "Berserk is one of the longest-running manga, and consistently one of the darkest out there, but also one of the most emotionally powerful and rewarding. "[77] Writing for Crunchyroll, Peter Fobian expressed: "Berserk is one of the most deeply personal works I've ever read, both for myself and in my perception of Miura's works. The series' transformation in the past 30 years artistically and thematically is so singular it's difficult to find another work that comes close. "[230] Miura's artwork has been particularly praised by critics. Bertschy said that the artwork is where Berserk "really shines," adding: "The cross-hatching work, the level of detail, it's all stunning. Every page is a work of art, each scene drawn with the outmost attention to detail and atmosphere. " He compared the art to the 1950s horror comics from EC Comics and found it fitting to the series' "gruesome nature.