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[115][116] Manga artists have lauded the series; Yoshihiro Togashi wrote a praising comment featured on the obi of series fourth volume;[117][118] Osamu Akimoto wrote a praising comment featured on the obi of the series' fifth volume;[119] Takayuki Yamaguchi praised the series and recommended it in a 2018 interview, around the time of its tenth volume. [120] Author Kinoko Nasu called it one of his favorite new manga works. [121] Comedian and novelist Naoki Matayoshi also praised the series. [122] Sales Demon Slayer: Kimetsu no Yaiba is one of the best-selling manga series of all time. By February 2019, the series had 3. 5 million copies in circulation worldwide;[123] over 10 million copies in circulation by September 2019;[2] over 25 million copies in circulation by December 2019;[124] and over 40 million copies in circulation by February 2020.


-The mysterious men/women in the white uniforms that have significant influence are rip-offs of SEELE from Evangelion.
-The launch sequences are essentially mirror images of Evangelion’s launch sequences (see a theme here).
-There was some kind of testing that was being performed in the early episodes that paralleled the synchronization tests in Evangelion.
-Episode 6 of Darling in the FranXX has been compared to episode 8 of Gurren Lagann. Which makes perfect sense, since Atsushi Nishigori (the director of Darling in the FranXX) was the director for episode 8 of Gurren Lagann, but this brings up a more serious issue: why is Nishigori reusing old ideas from over ten years ago? Not only that, but why is episode 6 of Darling in the FranXX a worse rendition of his earlier work (he couldn’t come up with improvements in all these years)?
-Episode 13 is a reverse retelling of Beauty and the Beast — in fact, the title of the episode is The Beast and the Prince (they’re not even attempting to disguise their intentions at this point).
-Episode 20 we find out that VIRM wants to annihilate the klaxosaurs who retreated underground, similar to the spirals (who lived underground) fighting the anti-spirals in Gurren Lagann.
-Mecha’s transforming to absurd levels of scale and power like Gurren Lagann.
-Instrumentality, much?
Then comes the real “butt” of my issue with this series, and this concerns the “doggy-styled” positions the girls must assume to pilot their Evangelions — I mean, their FranXX’s. It’s one thing to engage the viewer through needless fan-service, but there are limits one can go before coming off as ridiculous. Kill la Kill, another studio Trigger production, already ingratiated the anime community to the concept of excessive lasciviousness, the difference being: they did so with a self-deprecating tone. This show, on the other hand, is treating the matter with solemnity; and sure, they attempt to shoehorn in a half-assed explanation, but the whole immortality subtlety doesn’t fit well with the predetermined conclusion.

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Retrieved September 3, 2023. ^ Morrissy, Kim (April 9, 2021). "Interview: Mushoku Tensei: Jobless Reincarnation Director and Producer". Anime News Network. Archived from the original on January 11, 2022. Retrieved January 11, 2022. ^ Siddhant (July 16, 2023). "Mushoku Tensei Season 2 Episode 2 Review: The Forest in the Dead of the Night". LeisureByte. Retrieved July 23, 2023. ^ Himmelheber, Eric (July 15, 2023). 07, Ashioto 2005. 07) 38. "Courage, August 2005" (勇気 2005. 08, Yūki 2005. 08) 39. "Airi, August 2005" (愛梨 2005. 08, Airi 2005. 08) 40. "The Anticipated Future, August 2005" (待ち焦がれた未来 2005. 08, Machikogareta Mirai 2005. 08) 8 April 27, 2016[13]978-4-04-103915-1April 10, 2018[28]978-0-316-46846-6 41.
1. Archived from the original on April 1, 2023. Retrieved September 10, 2023. ^ "Bleach, Vol. 16 (Digital)". Viz Media. Archived from the original on June 9, 2011. Retrieved October 10, 2018. ^ Loo, Egan (December 17, 2008). "Viz to Distribute Anime through Warner, iTunes Canada". Anime News Network.