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The series never references back to the real world, so it might as well not exist- And since the audience has no idea about the said MMO, it only emphasizes the point about this just being a pointless hook, and a justification for awful storytelling that relies on the backwards idea of “Tell, don't show. ”
All the floor guardians and Momonga's lackies are uninteresting and flat- They have some interesting designs, especially the maids, but all their personality is about as interesting as a rock. First few episodes make it clear that they absolutely adore Momonga, and they spend their entire screen time thinking and/or talking about how great Momonga is. One of the worst examples is Albedo, who
spends every moment of her screen time doing just all that. She never does anything outside of praising Momonga, whether he's in the same
scene as her or not- Comparing this to Mahouka, she's basically this series' equivalent of Miyuki if Miyuki did absolutely nothing outside of praising Tatsuya, which makes Albedo far, far more annoying. Remember how people absolutely despised Miyuki because she wouldn't shut up about her onii-sama? There's an exact same character here, if arguably worse, but Albedo gets a free pass because her target of affection looks like a skeleton wizard and has a fanservice design.
There's also nothing interesting about floor guardians' interaction with one another, as all they talk about is how great Momonga is and how they should do their job and serve him. I guess the assumption the author made was that his target audience was so stupid that they needed to be reminded of the obvious every scene, every line.
Another awful aspect of this series is the pacing- It's always painfully slow. A lot of people seem to
defend slow pacing by claiming that it's character development, but there's no development. I'm not sure where people got the idea that character interaction equate to character development, but I guess just listening to pointless
filler dialogue gives some people a false impression that something must be going on even though nothing is really going on.
^ "By the
Grace of the Gods: Volume 11". Rakuten Kobo. Retrieved May 7, 2022. ^ "神達に拾われた男 12". HJ
Novels (in Japanese). Hobby Japan.
Outraged by Ragna’s suicidal insistence on fighting alone, Shin challenges him to another duel despite being surrounded by dragons. Ragna loses the duel and is ashamed his stubbornness has allowed Shin’s determination to surpass his own. Slime agrees and abandons Ragna to help Shin and Garm follow Taratectra. Olto Zora detects magic being drained
from his dead dragons to fuel Crimson’s improved teleportation circle, so he realises Starlia is only delaying him so they can escape and don’t intend to fight to the death. 14"Impatience and Vigilance"
Transliteration: "Aseri to Keikai" (Japanese: 焦りと警戒)Naoki HishikawwaDeko AkaoHiromitsu KanazawaJanuary 21, 2024 (2024-01-21) Olto Zora spreads out his civilian soldiers as far as possible, doubling how much magic Starlia needs to rescue them by teleporting them away from him. Olto Zora also sends out 40 mature dragons with stronger magic to find the teleportation circle. One mature dragon from Ultimatia’s bloodline uses similar time-stopping magic to kill dozens of soldiers, but she is killed by Crimson using a sunlight grenade. Crimson also reveals he has hypnotised and given weapons to the 1500 civilians waiting to be teleported, who now mindlessly fight against Olto Zora’s drugged civilians and the mature dragons to add their magic to the circle. Seeing Fu kill a mature dragon by himself Crimson considers hypnotising the entire Argentum Corps into his servants but the base starts to collapse from the constant damage to Starlia’s magic barrier. Starlia makes a mistake and a dragon severs her leg. Olto Zora gloats but Taratectra informs him he is
still being chased by Ragna, Shin and Garm who have now killed one third of their dragons.
