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This one was based on one of the singer's backgrounds. Coincidentally, the singer was surprised when learning that Hyakkimaru could see people's souls in the form of flames. The production side asked him to feature Japanese musical instruments a little more. In response, he thought it would be different to simply include the world view of Japanese, so he thought that the way the chorus was sung would sound like a Japanese instrument, and there was a conflict within me. The rap part was fun for him. [14] "Sayonara Gokko" shows a mellow taste and lyrics that expresses the appearance of Hyakkimaru. [15] The second opening "Dororo" (どろろ) is performed by Asian Kung-Fu Generation and the second ending theme "Yamiyo" (闇夜) is performed by Eve. Masafumi Gotoh from Asian Kung-Fu Generation stated that he made the music with all his thoughts so as not to be ashamed of the original Tezuka manga. Meanwhile, Eve said that the song portrays the ugly appearance that was born, the confrontation with loneliness, the unyielding belief of oneself, the immeasurable depth of the eyes, the new emotions that arise from the communication of the heart with others, and the encounter and parting what is really important, in this cursed world of being eaten or eaten, now that we are regaining the deprived body. The lyrics portray the characterization of Hyakkimaru as he develops his own identity. [16] Themes[edit] The fate towards religion is one of the series' main themes.

Hobby Consolas (in Spanish). Archived from the original on April 25, 2023. Retrieved May 11, 2023. ^ "Entrevista conjunta: Takehiko Inoue y Eiichiro Oda – Primera Parte". Ramen Para Dos (in Spanish). December 22, 2010.

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Archived from the original on 24 August 2013. Retrieved 28 July 2013. ^ a b c Carl, Kimlinger (4 January 2010). "Monster DVD Box Set 1 – Review". Anime News Network. Archived from the original on 22 July 2017. Retrieved 28 July 2013. ^ Carl, Kimlinger (11 October 2011). "Monster Episodes 61–74 Streaming – Review". Anime News Network. Archived from the original on 25 August 2013. ^ a b "Equivalent Change". Newtype USA. A. D. Vision. January 2006.

However, Shinkai's producer discouraged the idea, saying that the audience for his films was still enjoying the typical romance aspects of his films. [19][20] Thus, making the partner a chair was decided upon both to avoid the film becoming "too much of a romance,"[19] and also to lighten the mood of the film, which would "inevitably become quieter" if the story focused on mourning a place. [13] Shinkai also considered other options for potential partners,[13] such as a partner that turns into a monster throughout the story, and other "inorganic partners" like a milk carton. [13] The idea for a chair partner came when Shinkai saw a wooden chair sitting at a deserted bus stop, and found its "foreign feeling" to be better than any of his previous ideas. Shinkai also became less interested in writing a love story and wanted to depict different relationships, like with Suzume and her aunt. [13] Casting[edit] Nanoka Hara (left) and Hokuto Matsumura (right) provided the voices for Suzume and Souta, respectively.